2011, Cherrytree/Interscope
Leslie Feist has never been about
being cool. Her quirky voice and off-beat musical style has always allowed her
to stand apart from the crowd, and her willingness to try almost anything has
helped her to be innovative both as a songwriter and interpreter of music. Feist's
first forays into performance were with a Calgary punk outfit called Placebo
(not THE Placebo); this led, years later, to Feist joining Toronto alt-stars
Broken Social Scene. Feist has also toured or recorded with Noah's Arkweld, By
Divine Right, Peaches and Kings Of Convenience. The placement of her song
"1234" in an Apple commercial in 2007 turned the plucky songstress
into an international sensation. The song, an Indie release, rose to #8 on the
Billboard Pop chart on the strength of downloads alone, and resulted in
numerous awards.
This sort of success can either be a
catalyst to greater things or the downfall of an artist. Many a songwriter has
tripped on their own attempts to re-create such success. With Metals,
Feist tries a novel approach, seemingly pretending it never happened. Rather
than change course based on commercial pressures, Feist does what she's always
done - follow the currents of her own muse wherever they might take her.
Consequently, Metals is perhaps even quirkier than her previous works.
Feist's salty, breathy voice bends itself through sounds that seem almost
impossible to create at times, opening a window on her worldviews song by song.
"The Bad In Each Other" is
a stripped down and primitive blend of Electro-folk and rock; an intriguing
take on the phenomenon that happens when two good people with the best of
intentions simply do not work together. Feist's insight is subtle yet distinct,
highlighting the accident rather than the aftermath. "Graveyard" is a
haunting, disjointed pop venture that's dark in aspect and incredibly varied in
sound. Even within the bounds of standard pop song construction, the aching
urgency of Leslie Feist's vocal line is the sort that stops people in their
tracks. "Caught A Long Wind" struggles a bit, getting lost in its own
esoteric arrangement, but the vocal is stunning.
Feist digs in with a soulful sound
on "How Come You Never Go There", giving herself over to an edgy,
string-based arrangement on "A Commotion". The quiet urgency in this
number is compelling, perhaps even highlighted by the simple two-tone verse in
contrast to the full-bodied, angular chorus. Feist settles in with fine
performances on "The Circle Married The Line", "Bittersweet
Melodies" and "Anti-Pioneer", lulling the listener into a
well-satisfied and comfortable musical slumber. Taking everything down a notch
further, she swoons into the fuzzy and effect-filled "Undiscovered
First", transforming the experience into a power, anti-pop realization.
The quiet genius of this song may not appear to you the first few times
through, but will grow on you over time.
Feist strips the arrangement bear on
"Cicadas And Gulls", a lovely folk ballad featuring guitar and voice.
This quiet moment shines bright amidst its peers. "Comfort Me" is an
acknowledgment that all is not as it appears. The urgency of this discovery
grows in the energy and power of the song, a musical and emotional slow
crescendo that breaks over the listeners like a rush of slow-moving emotion
just before the song concludes. Feist wraps up with "Get It Wrong Get It
Wright", a contemplative, dreamy number illuminated by a gorgeous melody
and a matching vocal performance.
Feist does the only thing a true
artist can do on Metals; she ignores the previous accolades and just
keeps creating along the lines that please her most. Metals warms
slowly, taking a few listens to really find a comfortable place in the
listener's head, but those extra listens are very much worth the effort. There
are many acts out there that talk this sort of unbending dedication to their
art, but few live it as completely as Leslie Feist. Metals is neither
the best nor worst work of Feist's career. Such distinctions mean little here.
It is another set of musical children, born of a tremendous talent that sees
the world in bright, illuminating colors, rather than the subtle shades of grey
that dominate an increasingly cynical pop world.
Rating: 4 Stars (Out of 5)
Learn more about Feist at www.listentofeist.com or www.myspace.com/feist.
CD Download
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For now, enjoy a clip of Feist from Sesame Street...
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