Jesse Terry – Empty Seat On A Plane
2012, Jesse Terry
2012, Jesse Terry
Jesse Terry is an award-winning singer/songwriter based in
New York City, but you won’t often find him there.
Terry is an old-school road warrior, spending much of his time in clubs
across the U.S. or at festivals where he can share his music with more fans,
potential or otherwise. Along the way,
Terry has won Grand Prize in the John Lennon Songwriting Contest and the
CMT/NSAI Songwriting Competition, among others.
Terry has shared the stage with the likes of Darrell Scott (Robert
Plant), Shawn Mullins, Dar Williams, David Wilcox, Lori McKenna and Rachel Platten. Jesse Terry released his newest album, Empty Seat on A Plane, in July of
2012. Produced by Neilson Hubbard (Kim
Richey, Glen Phillips, Matthew Perryman Jones), the album moves with deep emotional
waves and sparkling storytelling.
Terry kicks things off with “Empty Seats On A Plane”, a
solid piece of folk pop that is deep in imagery. As the title track and opener, it’s actually
one of the more mundane tracks Terry wrote for the album, but a solid, if
quiet, start. “Let The Blues Skies Go To
Your Head” is surprisingly introspective given the title. Terry’s voice is distinctive, buzz worth with
hints of a whine at times. “Wishful
Thinking” is a gentle piece of Americana that’s aesthetically pretty and
poetically refined. Terry continues to
catalog his deepest thoughts and fears.
“Grace On A Train” is a standout track, with Terry seemingly
telling two stories at once, one real and one in allegory. This is as fine a piece of songwriting as you’ll
find, and sounds like a hybrid cross of Paul Simon and John Mayer (at his
best). Terry shows off his ability at
subtle word play in “Tightrope”. There’s
definitely more of a Paul Simon feel to this tune, and Terry’s literate lyrics
and sprightly, rhythm-driven guitar arrangement are real charmers. Jesse Terry goes for a gospel/Americana feel
on “Bitterroot Valley”, the result is a pleasant listen, although it’s not
clear from the listener’s perspective whether Terry really got to where he
intended on this one. A funky backbeat
drives “Blue Touches Blue”, which plays as an almost perfect counterpoint to “Bitterroot
Valley”.
“Coyotes” is a heartfelt ballad about being an outsider
looking in. Jesse Terry develops the
song perfectly, with tremendous slow build in energy and intensity that sucks
the listener in. The spacey guitar work
that dots the edges of the song is unusual and cool, a fine artist’s
touch. Terry strips things down to the
base for “Barefoot Child”, a straight-forward reflection on the world that is
full of a quiet beauty and grace. “Sacred
Or Nothing” ironically turns on itself perhaps, turning out to be one of the
two weakest tracks on the disc, but Terry recovers well with the awkwardly
sentimental but comely “Scenic Route”.
Jesse Terry says goodnight in perfect fashion with the swaying rhythms
of “Pearl Diver”. Terry paints entire
scenes in words here against a clear, clean melody that is built of a simple
beauty.
Jesse Terry is an amazing talented singer/songwriter. His ability to sculpt powerful images with words
impresses from the outset of Empty Seat
On A Plane. His tendency to get
wrapped up in his own inner emotional dogma can be kind of a drag for the
listener as well. At his best, Terry is
like the second coming of Paul Simon as a songwriter, with a voice that’s
somewhere in the range of John Mayer. At
his worst moments, Terry’s voice and inward focus can make him sound whiny or self-pitying. On balance, Empty Seat On A Plane is a powerful experience for the listener –
one bound to make a lasting impression.
There’s little doubt that Jesse Terry is going to have a big following
one day.
Rating: 3.5 Stars (Out of 5)
1 comment:
Thanks so much for the nice review Wildy!!
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