Steph Barrak – Words
To Break Your Heart
2013, Steph Barrak
2013, Steph Barrak
Steph Barrak is a rare gem.
The Boston-based indie singer/songwriter blends a poetic stream of
consciousness lyrical style with an artful melodic sensibility and a
distinctive pop pulse. While Barrak’s
desire to write and sing began at a young age, it wasn’t until her college
years when she really began to play in public.
Her open mic appearances quickly turned into headline shows. Barrak spent two years working with producer Mike
Davidson to craft her sonic visions into the album Words To Break Your Heart.
The end result is stunning, beautiful and raw, with a living heartbeat
you cannot ignore.
Barrak sets sail with “Connecticut”, an engaging take on a failed
relationship written in two distinct musical movements. She manages to come across as articulate and
authentic in dissecting her own heartbreak without falling into stereotypical
bouts of vitriol. The catchy folk/pop
arrangement will have your toes tapping, and seems like it should have some
real commercial punch. “Painted Face” is
a quiet monologue about waiting for the winds to change. She recognizes the relationship is over, but
is waiting around just in case. Barrak’s
chorus is near-perfect, although the song does drag a bit at the end due to
repetition. “Robot” carries with a mild
melancholy, written from the perspective of an automaton. This could be interpreted as commentary on a
relationship drifter who engages but never commits or taken at face value. Either away it’s highly entertaining and
musical.
With “Hardwired”, Barrak digs into an ear-friendly bit of
1970’s singer/songwriter panache. There’s
a bit of the melancholy of Mazzy Starr here, but Steph Barrak is pragmatically
hopeful in her approach. The song plays
like a lullaby, and Barrak’s warm alto is the perfect salve. “Fossil Tears” is a post-breakup monologue on
the healing process that retains a glint of hope for the hopeless. This quietly catchy number will get stuck in
your grille and stay there. “Oh Lo Lo” is
a bit more pointed in style, with a relentless post-pop sensibility that pulls
at the listener. Here Barrak is focused
on her inability to shake her former love.
It’s a nice tune that feels a bit stuck instrumentally, but that’s sort
of the point.
There’s a sense of breaking free evident in “Natural
Progression”. This uplifting folk/pop
number has a vibrant energy and a memorable melody, as the focus shifts from
decay to transformation. “Drift With It”
is a down-tempo take on the same theme, an acknowledgement that things are
falling apart. The go with the flow feel
runs all through the arrangement, and Barrak’s dulcet tones frame it all
perfectly. Once again she shows a flair
for infectiously hooky choruses that get caught between your ears. “The Way You Make Me Smile” would seem to be
a turning point. She’s come to peace
with the process of decay, understanding its necessary based on the two actors
in this little play. Nevertheless, she tries
to wring one last gasp from what was lost.
The mournful country guitar is a nice touch in communicating the mix of
heartbreak and wistful hope found in this moment. She falls back into an utter unwillingness to
let go by song’s end. This parallel of
decay creates one of the loveliest sonic moments on the album, with a chorus
that you’ll be humming to yourself for ages.
It’s hard to know whether “Married To A Robber” is a
continuation of the story line or a jump start, but the former is as plausible
as the latter. Steph Barrak creates a
true musical moment here, crafting the beauty of tragedy into musical stone (or
is it the other way around?) In any case,
this is a masterful piece of songwriter.
Barrak winds things down with “Watch For Me”, a declaration of civil
war, if you will. She has finally found
the words to match the feelings in her heart, and she is ready to fight. The song carries the power of simple truths,
evocatively turned out in a sparse musical arrangement. What’s most intriguing is Barrak never offers
the payoff. We come to the brink of the
final confrontation, but that moment is never revealed.
You can argue the end of Words
To Break Your Heart all you want, but the takeaway is that this is a
compelling musical work that is worth arguing over. Barrak lays her heart bare across eleven
songs that convey the ambivalence of needing to get away yet needing to
stay. It’s not the conclusion that is
the focus here, however; that is left to the listener’s imagination. The journey is the thing. Barrak’s songs are compositionally never more
or less than what they need to be to complement the complicated emotions she
conveys. A relationship’s decay plays
out to the precipice without closure, but either way you see that the narrator
has grown. Whatever comes, she’ll be
okay. So while we are left to wonder
what is next for Steph Barrak, most anyone who hears Words To Break Your Heart will be anxious for the sequel.
Rating: 4.5 Stars (Out of 5)
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