Gena Perala – Exactly Nowhere
2013, Gena Perala
2013, Gena Perala
Gena Perala is a modern renaissance
woman. Raised on the carnival circuit,
she developed a keen insight into the human condition, and the artful
storytelling style of a life-long performer.
Perala broke into music by way of her award winning poetry. She has published three books to date and
released two albums of original music.
Her debut album, This
Ain’t Pretty, won Perala rave reviews. Her follow-up, Exactly Nowhere, finds Perala taking
things to the next level.
Perala opens with “Living Proof”,
bringing elements of classic 1960’s girl pop.
There’s a rock-a-bye feel to this tune, and while Perala is a bit
verbose, the vocals are exceedingly easy on the ear. “Fine” is an interesting take on a
relationship where her partner makes her feel good about herself while spiraling
downward himself. There’s a sort of
helpless fatalism here that’s palpable, and the song is gorgeous in its
sadness. “Hip Hop Cartoons” is rife
irony. The seeming anthem of living life
on one’s own terms has a distinctive slacker element that’s more about simple
existence than living or learning.
“La Fin” is a dark waltz that is sung
primarily in French with English interjections.
Perala is in her element here with a compelling mix of raw animus and
madness. It’s a moment that will haunt
you into listening again and again. “Exactly
Nowhere” is theatrical in approach, sung seemingly in post-relationship
shock. Perala’s composition is
masterful, right down to the string accents.
The lyrical caricature is as artful as the music, and in case you didn’t
know it already, Perala is showing off some serious songwriting chops
here. “Superstar Nova” finds Perala in a
more straight-forward pop approach, completed with elemental synth and a dance
beat. This is too busy as a relationship
song and a bit too self-focused. “Fat
World” is a catchy garage/punk number that may be stuck in your noggin for days
for its musical proclivities and for Perala’s enthralling voice.
"Hoopla" finds Perala
lampooning women who fulfill themselves by digging for gold and living off the
success if others. The campy atmosphere of the song, which alternates between
reverb soaked simplicity and alt-rock excess, is reminiscent of Meryn Cadell.
"On Second Thought" is a memorable piece of musical theater that
tracks the internal ups and downs of a fickle minded suitor. Her writing is
brilliant, incisive and funny yet somehow utterly mortal. The transitions from
navel gazing pastiche to manic hope are perfectly conceived and executed.
"My Match" focuses on a repeat hookup offender who laments not
finding permanence. It's a humorous and sad caricature that will likely remind
you of someone.
"Life Is Hard" is a gorgeous, string-laced monologue from a character who is her own worst enemy. This worldview is dark and full of pessimism and yet utterly familiar from someone you know. Perala's light touch makes this more accessible and believable. "Tell It To The Stars" is an upbeat dialectic on seeking external guidance from the stars. Perala is eminently likeable here as she speaks from the heart in an upbeat, country flavored arrangement that will have you tapping your toes.
"See Myself" is a gently rolling piano ballad that's deftly orchestrated to build the emotive strength of the song while keeping Perala's superb vocals front and center. There's something of a secular sermon feel to this at times, with a distinctly inward focus built of insecurity as the concomitant strength it breeds. "Every Man" starts out in Perala's signature confessional style, but struggles to escape its own weight. She recovers nicely, closing with the brief, yet hopeful "Neverland".
"Life Is Hard" is a gorgeous, string-laced monologue from a character who is her own worst enemy. This worldview is dark and full of pessimism and yet utterly familiar from someone you know. Perala's light touch makes this more accessible and believable. "Tell It To The Stars" is an upbeat dialectic on seeking external guidance from the stars. Perala is eminently likeable here as she speaks from the heart in an upbeat, country flavored arrangement that will have you tapping your toes.
"See Myself" is a gently rolling piano ballad that's deftly orchestrated to build the emotive strength of the song while keeping Perala's superb vocals front and center. There's something of a secular sermon feel to this at times, with a distinctly inward focus built of insecurity as the concomitant strength it breeds. "Every Man" starts out in Perala's signature confessional style, but struggles to escape its own weight. She recovers nicely, closing with the brief, yet hopeful "Neverland".
Gena Perala’s musical and lyrical
brilliance shines through on Exactly Nowhere. There’s a theme of disaffection based on a
mistrust of human intentions that runs through the album, but Perala also has a
sense of humor. In essence, Exactly Nowhere is something of a catalog
of musical defense mechanisms that lead to the album’s title. Perala deconstructs, perhaps, her own
defenses with humor and grace and a fantastic sense of musical theater. She takes tremendous risks and even when
things don’t quite work out they’re certainly interesting. Exactly
Nowhere finds Gena Perala distinctly somewhere wonderful.
Rating: 4.5 Stars (Out of
5)
Learn more at www.genaperala.com.
No comments:
Post a Comment