Aron Lyrd - Lucid Dreams (aka Hits)

Aron Lyrd – Lucid Dreams (aka Hits)
2010, Aron Lyrd

Harrisburg, Pennsylvania singer/songwriter Aron Lyrd struggles through his fifth album, Lucid Dreams, a messy musical menagerie strongly influenced by 1970's pop that is without focus. Lyrd achieves some nice moments, such as the opening track "All The Time, It Is Mine", sounding like 1970's AM radio rock with a light R&B touch. "Just Wasting Time" is a solid track; mildly catchy with solid energy. This anti-love song advises a friend to kick her current boyfriend to the curb. The deep seated implication that the narrator might be a better option is between the lines. Lyrd channels The Kinks on "The Sun Is Out", a relationship reminiscence that looks back over years. Lyrd's voice is very pleasant here.

"Orange Ambition" has potential, but the recording quality here isn't worthy of a professional release. Lyrd sounds like his vocals were recorded inside of a containment tube, and the overall low-fi quality of the recording sounds amateurish. Lyrd veers into club noise with "Get Up, Come On"; seven-and-a-half minutes of beats and noise that's more like a musical run-on sentence than a song. "Asking For Just Too Much" is a vibrant bit of dance rock that finds Lyrd sounding a bit like Escape Club. We get to hear Lyrd's falsetto voice on "Tough Day, Alright Night", a non-committal bit of dance pop that simply doesn't work. One gets the impression that Lyrd is going for a Bee Gees vibe, but it ends up sounding more like satire than a serious attempt at song. Much the same can be said about "Enter Leave Don't Take My Heart", which perhaps should have been resigned to the archives.

Aron Lyrd is very early in his development as a songwriter. The material here is perhaps meant more as a demo than a commercial release, but sometimes less is more. Focusing on four or five tracks with the most potential and making the most of them might serve Lyrd better than putting out a larger quantity of music with less care. Lyrd seems to have his eyes on the big time with a MySpace page that claims over fifteen million spins. Consequently there is no doubt about Lyrd's creativity, but Lucid Dreams is a stretch that didn't need to be made. There are however kernels here with potential.

Rating: 1.5 Stars (Out of 5)

Learn more about Aron Lyrd at www.myspace.com/aaronblaird or www.myspace.com/aronlyrdmusic.  You can purchase Lucid Dreams digitally from Amazon.com, CDBaby or iTunes.  Please note that iTunes has the album under the title Lucid Dreams while Amazon and CDBaby have it under the title Hits with a slightly different track listing.

Review: People - The Cliché

People - The Cliché
2009, PAS2 Productions

Have you ever listened to a band's CD and just known from the outset that they had fun making that record? That's the first impression I got listening to People's The Cliché. The Los Angeles band has been headlining top venues in LA and all along the west coast for the past two years and the buzz, which began as word of mouth rivulets, is set to explode. With production by Dave Jerden (Jane's Addiction, Alice In Chains, Mary's Danish) and Engineering by Bryan Carlstrom (Billy Idol, The Offspring), People took no chances with The Cliché; undoubtedly one of the most exciting Pop/Rock releases of the year thus far. Add to this the fact that The Cliché was bassist Gidget Gein's (Marilyn Manson) swan song and you have an EP full of great music, intrigue and not a little magic.

The Cliché opens with Song For The People, a danceable Rock song in the best 1980's tradition. Vocalist/guitarist Jimmy Young sounds like a cross between Escape Club's Trevor Steel and Corey Hart, alternately soaring and pouting through the vocal lines in a tradition with lineages in the heyday of Glam Rock. The EP's first single, The Kids, has already gotten some attention nationally for both the song and accompanying video. It's a sophisticated anthem of rebellion that smacks a bit too much of the album title, but is still enjoyable for all of that. Cheap Money plays with some tasty guitar riffs descended from Jimmy Page and takes on materialism and the culture of cities like Los Angeles. Young Luv is notable for the guitar work but the song itself didn't really make a big impression on me. The EP closes out with Tune In Turn On And Drop Out, a great Pop/Rock tune with real commercial bite. This may be the best song craft on the album and is a great closer.

People bring tremendous energy and a sense of fun to The Cliché, turning in a performance that's practically guaranteed to transform them from a regional powerhouse to a band with national name recognition. The only question is where they'll fit in a segmented media market where genres have become so insular and proprietary that few people even know what they mean anymore. People is an exciting band with a sound that's perfect for the stage, and an ability to craft big Rock songs with enough Pop sensibility to have labels lining up to speak with them. The Cliché is an incredible warning shot from People. If we're lucky, there will be more.

Rating: 4 Stars (Out of 5)

You can learn more about People at http://www.peoplerock.us/ or www.myspace.com/peoplerock. As of publication no on-line outlets could be found to purchase The Cliché, whether digital or traditional. Keep checking People’s MySpace page for availability.