The Mickey Finns - Prayers And Idle Chatter

The Mickey Finns - Prayers And Idle Chatter
2012, Mankeltray Music

The Mickey Finns have taken just two albums to be hailed one of the best Celtic rock bands in the world.  Featuring former members of The Prodigals (Ray Kelly – vocals, guitar; Brian Tracey – drums); the former lead violinist for Michael Flatley’s The Lord Of The Dance (Matt Mancuso); and, multi-instrumentalist Eric Kaye (The Prodigals, Clint Black, Marc Cohn, Lucy Woodward), the New York City based quartet gets crowds on their feet early and often.  The Mickey Finns’ latest studio effort, Prayers And Idle Chatter, features the sort of whiskey-soaked vocals that are ideal for Celtic Rock.

Prayers And Idle Chatter kicks off in high style with "The Prodigal Son", a heel turner with great energy and a dancing spirit. "Sweet Clare Girl" has a folk/country feel, filled to the brim with quiet but vital picking and focused vocal harmonies. The instrumental work is top notch throughout, but especially in the bridge. "McGuinness' Mass" is a down tempo drinking song that explores the camaraderie of the neighborhood pub and the form of penance that is brewed or distilled but universal across time and cultures. "Loop Reels" is a frenetic fiddle driven experience underwritten by some seriously motivated percussion. The Mickey Finns quite literally rock out here. "Absinthe (Makes The Heart Grow Fonder)" borrows a bit of rough-edged energy and imbues it with a country/Celtic pastiche. This would be one fun tune to experience live.

"Tanks And Barbed Wire" tells the story of love between a Protestant man and a Catholic girl at a time when such liaisons were dangerous. The outcome of this song is expectedly tragic, but holds a moral about learning to live together. The Mickey Finns take a lighter tone on in “The Jester”, a light and airy tune full of lilting violin and bright, breezy phrasing.  Kicking it up a notch or two, the band launches into the vibrant “Two Jigs For Aoiffe”.  The musicianship is stellar and The Mickey Finns sounds very much in the zone.  “Dark Roll Down The Dawn” represents a dichotomy in The Mickey Finns’ style that is intriguing.  There’s tremendous energy here, and it’s abundantly clear the band is having fun; yet there is a clear sense that they are holding something in reserve.

“Duffy’s Cut” memorializes 57 Irish immigrants who died of Cholera outside of Malvern Pennsylvania in 1832.  Brought to America to help lay railroad tracks, it is believed the workers were denied medical care due to anti-Catholic prejudice.  The Mickey Finns handle this tune perfectly, creating a wonderful melodic sensibility in the Wally Page-penned tune.  The sentiment here is real without sounding overly sentimental.  The Mickey Finns close out with a rockin’ reel, “Be Mine”.  Nothing is left in the studio here, and it’s clear that the impression earlier that the band was still holding something is proven to be spot on.

The Mickey Finns engage in a long slow build on Prayers And Idle Chatter that culminates in a blow-off-the-roof performance in “Be Mine”.  Through the entire eleven-song cycle there is a sense of expectation, of something more.  The Mickey Finns deliver and then some.  Prayers And Idle Chatter captures the energy and pure musicianship of the band.  All of this is tied together by the engaging presence of lead singer Ray Kelly, who is a first class front man with a voice that stops people in their tracks.  Somewhere in the nexus between The Waterboys, Black 47 and Great Big Sea you will find The Mickey Finns.  They’re doing just fine, thank you.

Rating: 4 Stars (Out of 5)

Learn more at www.TheMickeyFinns.com. 

 

 

The Cocksure Lads - The Greatest Hits Of The Cocksure Lads: 1963-1968

The Cocksure Lads - The Greatest Hits Of The Cocksure Lads: 1963-1968
2010, The Cocksure Lads

Somewhere in the annals of British Pop history, someone once uttered the words "We should name our band The Cocksure Lads".  This individual was most likely beaten, sacked or traded to another band for a tube amp.  Nevertheless, the name sifted its way through the wormholes of time and settled itself in Southern Ontario in the first decade of the third millennium CE, waiting to be found.  Along came Moxy Fruvous alums Mike Ford and Murray Foster, who unexpectedly tripped into the name and a collection of virulent songs that would redefine pop history.  After bringing fellow Fruvous alum David Matheson into the fold, Ford and Foster added            to complete the rebirth of The Cocksure Lads.  Somewhere between The Beatles, The Rutles and The Monkees lives the memory and sound of The Cocksure Lads.  The lads are immortalized for the first time on The Greatest Hits Of The Cocksure Lads: 1963-1968.

If you're a fan of British Pop born of the 1960's, and don't mind a bit of Python-esque (or Fruvous-esque) humor, then The Cocksure Lads are for you.  Opening with "You're A Cocksure Lad", the band makes a startlingly authentic impression.  The music is insanely good, full of the sort of arching melodies British Pop is renowned for, and even capturing some of the grittiness of recordings done in the early 1960's.  The Cocksure Lads manage to take the music seriously even as they lace it with freshly dated wit.  "A Case Of The Dropsies" is highly danceable rockabilly with a memorable melody line.  You'll want to dance so bad you'll grab the next person who walks through the door.  "Ships Ahoy!" is part Paul McCartney silly little love and part sea shanty.  It's an amazing musical conglomeration with a pirate fixation that involves a love affair, a trip around the world and highly questionable seasonings.  The Fruvous lads always had a knack for high value entertainment and tunes, and those qualities bloom here.  Try as you might, you won't be able to get this one out of your head.

"Umbrella Girl" sounds like an authentic 1960's ballad, but is in fact an old FruSong that has never appeared on an official release before.  If you're not familiar with FruSongs, they are tunes written about hard core Fruvous fans who had attended a significant number of shows.  This mock up of the song works exceedingly well.  "Ticky Boo (Look Though My Window)" leans a bit more to the Monkees side of the equation; a delightful bit of 1960's fluff pop that's indescribably, infectiously catchy.  The energy and pizzazz continue on "That's Any Good".   If you had to pick just one song from the album to drop into rotation circa 1965 and get a hit, it would probably be this one.  With a killer melody, positive outlook, and just a hint of Austin Powers-style cheese ball humor, "That's Any Good" would be a can't miss single.

"You Gotta Stay Cocksure" is stereotypical of the songwriting styles of the time, when record labels pushed artists to re-use ideas that worked previously to max out capitalization of the label's profit.  Accordingly, such songs often had a re-tread air.  The Cocksure Lads manage to avoid any such feel with a brilliant pop tune that stands on its own.  Things get a bit strange on "The Car Boot Light That Never Quite Shuts Off", as the title might suggest.  It's an exploration of self sung over funeral-style organ.  Drawn in its own apparent contradictions, the tune is funny in a slightly disturbing manner.  Mike Ford contrives a singing voice here that's part Ringo Starr and part Wakko from The Animaniacs.  "Admiral Trafalgar" is a fun, historical nod to Admiral Nelson, the British Commander at the Battle of Trafalgar in 1805.  This one is done in the style of Ford's Canada In Song series, but dressed up in a 1960's pop arrangement that's fun. 

"Mushy Peas" celebrates home, wrapping up the singer's affections in the symbolism of a meal of mushy peas and spam.  There's really nothing else to say.  "I've Already Been Loved, Love", is pure Beatles pop with an R&B backbeat; a treatise on not getting to the buffet table of love too late.  The faux-bass lead vocal line is perhaps the funniest part of the song.  The Cocksure Lads close with "Wellies In The Bath", an amusingly jaunty little tune about one man's predilection for wearing knee-high waterproof boots while bathing.  It's an odd close, but amusing nonetheless.

The Greatest Hits Of The Cocksure Lads: 1963-1968 is one wild ride.  Humor born of both intelligence and kitsch abounds, dancing its way amidst melodies that would make the Queen Mother proud.  These sorts of concept albums often fail and fail horribly, if for no other reason than the idea behind them usually sounds better in discussion than it does playing out across a full length album.  The Cocksure Lads will make you believe that the British Invasion isn't over.  The reunion of 3/4 of the Moxy Fruvous lineup features hints of that band's musical and comedic prowess, but builds on the individual members continued growth to create something wholly memorable and fun.  The Greatest Hits Of The Cocksure Lads: 1963 - 1968 is essential listening.  You won't be able to get The Cocksure Lads out of your head.

Rating: 4.5 Stars (Out of 5)

Learn more about The Cocksure Lads at www.facebook.com/cocksurelads.  The Greatest Hits Of The Cocksure Lads: 1963-1968 is available digitally from Amazon.com and iTunes.  Those of you who prefer your music dizzy can pick up the CD at MapleMusic.com.

Review: Tupelo - Live In Studio

Tupelo - Live In Studio
2009, James Cramer/IMRO

Dublin, Ireland’s Tupelo have taken to the Rhythm & Roots movement in much the way the fictional band The Commitments took to Motown in the film of the same name two decades ago. Playing some of the finest venues in Dublin and beyond, Tupelo brings their original compositions to life in a sound that would be called Americana on this side of the pond. Tupelo recently sent us a disc called Live In Studio. This appears to be a demo for an upcoming album, done primarily in one take without overdubbing. The mix is a bit rough at times, but the songwriting and play are high quality.

Tupelo opens with The Blue Gardinia, a feel-good drinking song. The style here is somewhere in the neighborhood where Folk and Country meet. Vocalist James Cramer has a pleasant, anachronistic sound. Firefly is gentle but catchy. You may find yourself wanting to dance along but not sure if you should. I did find it curious that one of the violins on this song appears to be just a bit out of tune. Man Like Me and San Francisco Bound are decent if a little bland. Tupelo comes to life on Figure It Out, imbuing the song with a bit of fiddle-tune energy. Leaving On Tuesday is a decent tune; a mellow song with real energy inside.

Tupelo comes fully alive on Little Rosalie, a moderately upbeat love song with a hint of Pop sensibility. Little Rosalie will get your toes tapping. Katrina is a highly personal look at the effects of Hurricane Katrina. The hurricane itself has become something of a cultural icon for songwriters, particularly in the Folk, Country and Blue genres. Katrina is a decent song, but there comes a point when a subject has been picked clean and every recapitulation highlights the same skeleton. Tupelo goes where they've wanted to go all along on My Daddio. The song is a joyous ode to Dads where the musicianship and energy are at the top of the meter, and My Daddio is the highlight of the album. Tupelo keeps the Celtic spirit up on My Family's Land, although this time it's a mournful tune about returning to our roots. Tupelo closes with the Bluegrass flavored I'm Going Home, a song about a wrongfully convicted man who is finally getting out of prison. The song is full of joy in spite of all that's gone wrong.

Tupelo follows an interesting path on Live In Studio. You get the live energy of the band in a somewhat reserved recording that may not do Tupelo complete justice. I am guessing that this recording was done in a series of single takes with minimal dubbing, which is fine, but the production and recording produces some uneven mixes at times and may have been managed a bit better. On the whole, however, Live In Studio is convincing. If Tupelo ever passes through town, I'm there.

Rating: 3.5 Stars (Out of 5)

You can learn more about Tupelo at http://www.tupelo.ie/ or www.myspace.com/tupelomusicireland.

Review: Barenaked Ladies - You Run Away (single)

Barenaked Ladies - You Run Away
2010, Raisin Records

It's hard to believe it's been 12 years since Barenaked Ladies dominated both US and Canadian radio with One Week, much less that it's been 17 years since I first saw them in an over-crowded and likely illegally packed former truck garage in Buffalo, NY. I've heard Barenaked Ladies go from a jazzy acoustic-Pop sound to brooding new wave to Poppy dementia to mellowing Pop maestros who Paul McCartney himself calls one of the most interesting bands in Pop music today. Co-founder/vocalist/songwriter Steven Page departed the band last year, wanting a larger share/stage for his songwriting, leaving Barenaked Ladies as a quartet for the first time in nearly two decades. The band chose to continue in this fashion rather than trying to replace Page's iconic voice.

Barenaked Ladies will release their 11th studio album, All In Good Time, on March 23, 2010 in Canada with a US release due on March 30th. It will be the first new material as a quartet and has been a source of both agita and excitement for longtime fans. On January 8th, the Ladies released the first single, You Run Away, on their website. It would be hard to call You Run Away a departure for the band, as BNL have ever been moving toward a more developed and nuanced sound, but for years Ed Robertson and Steve Page were yang and yin, respectively, for the band. They served to balance one another, as Page's darker side brought out the lighter aspects of Robertson's musical character. Over the past few albums, Barenaked Ladies have become more and more egalitarian in their songwriting, changing the balance of songwriting duties and influences.

This change in structure started to bring out a fuller texture in the band in general, and Robertson's songwriting in particular. If You Run Away is any indication, the change that has been fomenting for the past decade comes into full bloom in 2010. You Run Away is a mid-tempo, sorrowful ballad. It could be a song about a failed relationship (and I am sure some fans will speculate about the lyrics and Page's departure), but it's not an angry song. The melody is among the finest Barenaked Ladies have crafted in their 20+ years together, and it might be just the tune needed to return Barenaked Ladies to the Pop charts.

Robertson is in amazing voice, and arrangement is serene and melancholy, full of an almost tragic beauty. If You Run Away is representative of the album, All In Good Time could be their finest album yet. On a purely subjective level, as a fan, You Run Away brings me back to a time and place when I used to listen to the band incessantly. Not because it sounds like they used to, but because it sounds like Barenaked Ladies are once again creating like they used to.

Rating: 5 Stars (Out of 5)

You can learn more about Barenaked Ladies at http://www.barenakedladies.com/. Barenaked Ladies will release All In Good Time (read review here) on their own label, Raisin Records, but recently signed a distribution agreement with EMI Music. The song will be released on iTunes in the near future. For now you can stream You Run Away on their website. You Run Away and All In Good Time were produced by Michael Philip Wojewoda, who previously produced the band's groundbreaking 1993 debut album, Gordon, and their 2008 Children's album Snacktime, as well as albums for Spirit Of The West, Great Big Sea, Ashley MacIsaac and The Rheostatics.

Review: Hawksley Workman - For Him And The Girls

Hawksley Workman - For Him And The Girls
2000/2009, Isadora Records

Ryan Corrigan, AKA Hawksley Workman, has been known to Canadian artists for a decade now as a Juno-award winning singer, songwriter and producer. A multi-instrumentalist with a sound that's drawn comparisons to Tom Waits and The Rheostatics, Workman mixes and melds quirky folk with Pop, Cabaret and even Glam Rock elements to create some of the most distinctive and original pop music anywhere. For Him And The Girls, his debut album, was originally released in 2000 in Canada, but recently had its debut in the United States. It is an eclectic collection of songs meant to help American audiences develop a taste for Workman's music in advance of the release of Milk & Meat in 2010. Aside from his own projects, Workman has produced albums/songs for Great Big Sea, The Cash Brothers, Sarah Slean, Skydiggers and Tegan and Sara, among others.

Workman opens For Him And The Girls with Maniacs, an ambitious and off-center rock tune that runs an almost Latin rhythm beneath a lyrically disjointed alt-rock tune that perseverates on "maniacs", "fatsos" and "slaves". Welcome to the world of Hawksley Workman, where social conscience and madness occasionally run hand in hand. Sissies is a deliciously upbeat Pop Rocker that will get inside your head and set up residence. This is one of those songs that ambushes your thought process three days after you've heard it and just won't get out of your head. Luckily it's well written, bordering on comical at times. Sad House Daddy has a cabaret feel; it amounts to an apology for everything from someone who might be segueing in and out of reality. Sweet Hallelujah is a lilting prayer; a gorgeous tune with a melody that's practically heart-breaking.

Bullets is an amusing tune full of campy machismo and wit; danceable and catchy and driven by a sense of invincibility that appears on its face to be ridiculous. Workman gives a highly emotive performance on Don't Be Crushed before transitioning into a quasi-Country/Pop sound on Stop Joking Around. Workman strips away all excess on Safe And Sound, an amazing love song offered here in a simple acoustic arrangement. This is a tune destined for Mix Tapes, movies, television and anywhere else a licenser could think to put it. Baby This Night is a slow jam for the 21st century Alt-Rock fan, with a slightly twisted turn. It's a strong song, although Workman does get a bit bogged down in repetition part way through. Workman closes out with Beautiful & Natural, a song that sounds like something of an ode but burrows through a dark psychedelia in tribute. You'll walk away thinking perhaps it was a sweet song as played in the sort of distorted funhouse sounds you hear in horror movies.

Hawksley Workman is nothing if not enigmatic. I don't know if this is the album I would have used to introduce him to US audiences (I might have chosen (Last Night We Were) The Delicious Wolves)). but it is a fair representation of where his muse leads. That being said, For Him And The Girls is a brilliant collection that will intrigue you and keep you off balance as a listener. Workman knows how to push a listener's buttons, but not so far that he drives you away. Quite to the contrary, you're likely to stick around even if it’s just to see what he might do next.

Rating: 3.5 Stars (Out of 5)

You can learn more about Hawksley Workman at http://www.hawksleyworkman.com/ or www.myspace.com/hawksleyworkman. You can order a copy of For Him And The Girls from MapleMusic.com, or you can download the album from iTunes.

Review: Lee Alexander & Co. - Mayhaw Vaudeville

Lee Alexander & Co. - Mayhaw Vaudeville
2009, Lee Alexander & Co.

Houston, Texas’ Lee Alexander writes from the heart of Texas in his heart. Using the same wit, intelligence and rustic flavor as folks such as Steve Earle and Lyle Lovett, Alexander has a reputation for crafting masterful musical stories. With a 2007 Independent Music Award for his debut album, Out Of Place, Alexander follows up with his sophomore effort, Mayhaw Vaudeville.

After the brief prologue of Ballnese Room (Overture), Alexander gets things rolling with Miles Between; a Folk/Pop gem with a big, pretty chorus. Reminiscent of later Great Big Sea and Pat McGee Band, Miles Between deals with the dissatisfaction of being in a relationship with someone who just doesn't not live up to expectations. Mayhaw Wine mixes early Rock N Roll and R&B elements in an acoustic Folk setting. The song has a definite sway and plays like an instant classic. These Days has one of the best melody lines on the disc, sounding a bit like Blue Rodeo meets The Cash Brothers in a highly enjoyable turn. My favorite song on the disc is Wheel; a paean to the pursuit of dreams and ambitions that recognizes that life is a gamble. The roulette wheel is used to illustrate the point here in poetic, intelligent and melodic bit of acoustic Blues and Folk.

Okemah Moon sounds about as classic country as you can get. It's a story about forbidden love and the almost certain conclusion it will come to. Somewhere, the spirit of George Jones smiles down on this song. Alexander lets us eavesdrop on one side of a conversation about escaping small town life in Carol Ann, a poignant tune full of ugly truths. The song needs a companion piece, however, as this is a sliver of a very good story that could stand telling. Alexander proceeds to cover the traditional Liverpool, England anthem Maggie Mae (not the Rod Stewart song). A favorite of sailors for better than a century, Maggie Mae tells the story of a prostitute and was long the unofficial theme song of Liverpool. Alexander's version is compelling and reserved; very well done. Union Street heads right for the Mix-Tape Magic pile in a touching performance where Alexander is in his absolute best and most velvety voice. Alexander sounds a bit like the Beatles on Mr. Walker's Epilogue, creating a near-perfect Pop tune with great vocal harmonies and a sound that could only be inspired by The Fab 4. Green Room Mirror (Curtain Call) is a great example of melodic and melancholy Pop. The story-line is benign compared to the beauty of the melody. Alexander closes out with an untitled track of a Tin Pan Alley jazz tune that might be called Paradise For Me. It's a brief epilogue but done perfectly to era and very entertaining.

Lee Alexander & Company display serious musical chops on Mayhaw Vaudeville. There's intense love for the sounds of bygone eras evident here, but also a fresh energy that enervates both the songs and the listener. Alexander has one of those voices you simply don't want to stop, and the arrangements are both pleasurable and challenging. Make sure you spend some time with Lee Alexander & Co. and Mayhaw Vaudeville. It's a bit off the beaten track but worth every step.

Rating: 4 Stars (Out of 5)

You can learn more about Lee Alexander & Co. http://www.alexandersongs.com/ or www.myspace.com/alexanderlee. Mayhaw Vaudeville is available through Noisetrade on a pay-what-you-wish arrangement for download, or you can get the download for free by providing the email address of five friends! CD copies are available at shows, but if you contact the band through their MySpace page I'm sure they'll be happy to help you out.

Review: Kevin Hearn And Thin Buckle - Havana Winter

Kevin Hearn and Thin Buckle - Havana Winter
2009, Celery Music

Kevin Hearn would make music if the only instruments available to him were a pair of rocks to bang together. The projects and bands he's either been a member of or contributed to over the years is a bit astonishing. Hearn has played a part in recordings and/or tours for Corky & The Juice Pigs, The Look People, The Rheostatics, Lou Reed, The Tragically Hip, Garth Hudson, Ron Sexsmith, Broken Social Scene and Laurie Anderson, to name but a few. And we should probably mention his regular gig as multi-instrumentalist (primarily keyboard) for Barenaked Ladies. Hearn's quirky songwriting style and distinctive ability to capture bits of pop magic in song has served him well and endeared him to listeners all over the world. Havana Winter, released July 28, 2009, is Hearn's 4th solo album, and third with Thin Buckle (comprised of former Look People alums Chris Gartner - bass and Great Bob Scott - drums; guitarist Brian Macmillan and joined on Havana Winter by Lou Reed guitarist Mike Rathke.) Co-produced by Hearn and legendary Canadian producer Michael Philip Wojewoda, (Barenaked Ladies, Spirit Of The West, The Rheostatics, Great Big Sea, Ashley MacIsaac) Havana Winter furthers Hearn's distinctive songwriting style, dubbed "Planetarium Pop", that combines ambient keyboard elements with more traditional mellow pop songwriting for a musical experience that you don't so much listen to as become part of.

Havana Winter opens with Coma, driven by a distinctive keyboard riff that will keep the song running through your head long after it's stopped playing. Hearn exhorts people everywhere to wake up to the world around them rather than be hypnotized by gadgets, suburbs and the mundane aspects of day-to-day life. The song is a great listen with a wonderfully jarring guitar solo on the fade out. On The Runway is one of those songs that where I don't entirely get the lyrical content but I'm so enraptured with the music it doesn't matter. The lyrics might just be a dreamy rumination on plans, but the lush backdrop Hearn and Thin Buckle have created here is divine. Driven by a lively guitar and bass skeleton, Hearn wraps his keyboard around the song like a vibrant coat of musical colors. On The Runway is one of those songs that the replay button was made for.

Reeling reflects the grief of losing a loved one in poetic and beautiful language. The arrangement Hearn wraps around his memorial is lush and alive, carrying with it the co-mingled energies of memory and love. On first listen I didn't really get this one, but with a more careful ear it's an incredibly powerful and moving song, delivered as always with Hearn's light touch. Luna continues in a similar vein, speaking directly to the one who is gone and includes one of the best lyrical turns of the year, "If you were lost at sea, what kind of a lighthouse would I be?"). In these two songs Hearn displays an incredible ability to take pain and put it into words without beating the listener over the head with his suffering. In poetic and quirky fashion, Hearn communicates the depth of his grief and the depth of his love without getting mired in the sort of negativity that can drag down a song or even an album.

Hearn turns up the metronome on Huntsville.CA, a driven acoustic Brit-Rock tune that will make you want to dance. It's an amusing and lively look at how small, out-of-the way towns most of year can become bustling centers of activity in the summer months. Anyone who's a townie living in the shadow of a seasonal tourist attraction will appreciate the sentiment, and musically it's flat out a great tune (listen in particular for the guitar work throughout the song). In The Shade is a quirky mellow pop-tune with an island influence that equates love with sun exposure, "they'll burn you up in the end". Lush vocals/harmonies and a melodic structure born from another generation of pop music make for a pleasant surprise and a great listen. Havana Winter closes with H.I.T.S. (Helicopter In The Sand). The arrangement here is classic Kevin Hearn, mellow with a lot more harmonic work in the wings that you find in your typical Rock song. Hearn seems to explore the need to chase dreams, and how sometimes even failing to get where you planned gets you where you need to be. The song is highly poetic, deep and subtle, both lyrically and musically.

There's a reason everyone and his brother in the Canadian music scene ends up working with Kevin Hearn; there are few better at their craft. As a songwriter Hearn has developed significantly over the past two decades. He's always going to be a bit out of the mainstream (although he can do mainstream if he wants to), but you'll never walk away from a Hearn album musically dissatisfied. Havana Winter is Hearn's finest work yet; the sort of album you don't want to put down. Kevin Hearn and Thin Buckle should be on your must-listen list. Bet on them making a bunch of year-end lists. For now, Havana Winter is a Wildy's World Certified Desert Island Disc.

Rating: 5 Stars (Out of 5)

You can learn more about Kevin Hearn at http://www.kevinhearn.com/ or http://www.bnlmusic.com/. Havana Winter will hit shelves on July 28, 2009. You can pre-order copies via Amazon.com. Once the album is released you can also pick up copies at Hearn’s webstore. Expect wide digital availability after the release date.

Review: Doug Folkins - Another Last Call

Doug Folkins - Another Last Call
2009, Fenwick Music

British Columbia, Canada's Doug Folkins opens his fifth album, Another Last Call with Calico Girl, sounding like a cross between Blue Rodeo and early Crash Test Dummies. Folkins has a strong and clear voice that works very well with the material presented here. The arrangements are pleasant; perhaps a little loose in presentation but not uncharacteristically so. Pour Me Another is an acoustic Celtic Rock tune that features some hot fiddle playing. Promise Me sounds a bit more like commercial country music, but without the high gloss sheen that tends to rob popular country music of its flavor. The harmonies here are notable, and Folkins' band has pulled together as taut as a wire.

Streets Of Rome is a Celtic flavored song about Italy; one of the more anachronistic tunes I've heard this year, but extremely well written. The sound here actually reminds me a bit of The McKrells in their heyday. Park The Car is a humorous take on the Irish Drinking Song that might not sit well with members of MADD but fits very well into the musical tradition. One of my favorite tunes here is King Henry's Good Times. The pace here is frenetic, and Folkins' voice rises to the occasion perfectly. See You Smile is an upbeat, wistful love song that will strike home to those who have "been there", and would work just as well in a more rock-oriented arrangement as it does here. Folkins closes out with three classic Celtic tunes, two from the Maritime songbook, Paddy Murphy, Mari Mac and Black Velvet Band. If you've not heard these songs before, pay particular attention to Mari Mac, which turns into a devilish tongue twister that likely doubles as a drinking game in some places. This isn't my favorite arrangement of the song, but I've heard many people mangle this song and Folkins presents the song better than most (although he doesn't push the speedometer the way bands like Great Big Sea have). Black Velvet Band is a bit more traditional and very well presented here.

Doug Folkins reminds me more and more of Kevin McKrell as I listen to him. There is a definite tendency to mix other musical styles with Celtic sounds on Another Last Call, and for the most part the results are positive. The play, singing and writing/arrangement on Another Last Call are all very much above average. I hesitate to call it a great album, as there just wasn't a "whoa" moment here, but it's very, very, very good.

Rating: 4 Stars (Out of 5)

You can learn more about Doug Folkins at http://www.dougfolkins.com/. You can purchase a copy of Another Last Call at www.cdbaby.com/cd/dougfolkins.

Review: Cara Luft - The Light Fantastic

Cara Luft - The Light Fantastic
2007, Black Hen Music

Winnipeg’s Cara Luft is a musical tour-de-force that you might never have heard of if you live outside of Canada. An integral part of folk trio The Wailin’ Jennys, Luft chose to follow her own path in 2005 after three years, two albums and one Juno Award for Best Roots album. Nicknamed “Jenny Van Halen” for her raucous guitar style, Luft is as accomplished with an axe as she is behind the microphone. Her album, The Light Fantastic, is a wonderful mix of the spiritual and the mundane, the certain and the in-between. Produced by Neil Osborne (54-40), The Light Fantastic features multi-instrumentalist Hugh McMillan (Spirit Of The West, James Keelaghan), Richard Moody (The Bills) and Christian Dugas. It a rare gem in popular music; a spending musical experience with outstanding storytelling.

Cara Luft shows an ability to capture moments and people in song that is uncanny. Whether her subjects are real or imagined, or even herself, Luft opens a window in each song on a person, place or time that is so believable you can almost touch them. Her voice is perfectly suited to this style of country/Americana; a warm alto with a bit of small-town country sass. The Light Fantastic opens with There's A Train, a song about escaping a relationship that's an emotional tempest, even if it means leaving home. Luft has a subtle power in his voice and is deft at using it to accentuate the emotions the protagonist feels here. This leads into No Friend Of Mine; with a lyrical economy that packs a punch, Luft tells someone who's no good for her to get lost. Turning the tables, Talk For A While is inspired by a bit of non-committal vulnerability; it's an incredibly human emotion in song, caught perfectly like a photograph set to music.

From a pure musical standpoint, Black Water Side is one of the more memorable moments on the album, with a wonderful arrangement that captures motion and movement within the notes and rhythms of the song. Luft's version of Lord Roslyn's Daughter may have officially transplanted the Great Big Sea rendition as my favorite version of this traditional tune. Luft delivers a stirring vocal performance, blending with unforgettable harmony vocals that are full of urgency you can almost reach out and grab. For all of this, however, Give It Up is by far my favorite song on the disc. It's a statement of self-worth from a woman who knows who she is and what she wants. It's probably one of the best takes on this subject since R-E-S-P-E-C-T.

No Strength takes a deep angst, partners it with a wonderful hook and some amazing rhythmic guitar playing and turns into a highly memorable song. Wilcox explores the utter surprise and wonderment of a person taken out of their normal element and caught on the Canadian Prairies for a time, while Jerusalem addresses the need for an inner spiritual or philosophical life. It's an interesting tune that uses Jerusalem as an allegory for this spiritual destination, and comes off sounding like a classic Indigo Girls tune. Settle For Grey is a subject most artists touch on at some point in their career, the loss of clear black and white in choices that seems to occur over a lifetime. It's a moralist message that's decidedly amoral, and an intriguing epilogue for Luft.

Luft is an extremely talented songwriter, encapsulating person, time and place with the skill and temerity of Randy Newman. Vocally she's up there with the best, and the musical arrangements here are anything but typical. Luft sounds like she's still challenging herself on each song, and enjoying it in the process. The Light Fantastic is a terrific listen. Luft is a master songwriter and performer. You don't want to be without this disc.

Rating: 4.5 Stars (Out of 5)

You can learn more about Cara Luft at http://www.caraluft.com/ or www.myspace.com/caraluftmusic. You can purchase a copy of The Light Fantastic at www.cdbaby.com/cd/caraluft.

Review: The Irish Experience - Green Energy

The Irish Experience – Green Energy
2009, The Irish Experience

Seattle’s The Irish Experience releases their sophomore CD, Green Energy, on March 17, 2009. Picking up where they last left off, The Irish Experience brings high energy instrumental Celtic music with a Rock N Roll feel and the occasional Appalachian folk underpinning. Electric violin, guitar, congas, bongos, harmonica, synth and djembe as the weapons of choice here, and you’ll quickly be consumed in the passion and energy The Irish Experience pumps into their music. Even the slower songs have a vibrant life you just won’t be able to ignore.

Green Energy opens with The Wicked Jig, a violin led opus over rhythmic guitar and some of the funkiest bass playing west of Chicago. Try to stand still while this one is playing; you can’t. Brendan McGlinchey’s is a wonderfully dark interpretation you can’t help get a little lost in. Dinny Delaney’s Slide may be the best track here. The violin and bass dance around one another while guitar and percussion steady the floor. John Brown’s Dream brings out a little of the Appalachian feel as The Irish Experience borders on a Celtic Bluegrass sound (banjo would complete the effect). Paddy Fahey’s is more of a rock tune than anything else here with an almost Mike Scott/Waterboys feel to it. Other highlights include Within A Mile Of Dublin, Indian Point, Scatter The Mud and The Fiddler’s Lament.

The Irish Experience delivers irrepressible Green Energy on their CD, but anything you read about them indicates the real thrill is their live shows. Green Energy is an accomplished instrumental disc that’s perfect for St. Patrick’s Day or anytime you want to get back to your real or adopted Irish roots. This is a great listen.

Rating: 4 Stars (Out of 5)

You can learn more about The Irish Experience at www.myspace.com/IrishExperience. You can purchase Green Energy through CDBaby, iTunes or Rhapsody.

Review: Spirit Of The West - Spirituality: 1983 - 2008

Spirit Of The West – Spirituality: 1983 – 2008
2008, Rhino Records (Canada)

Spirit Of The West celebrated their 25th year in 2008 with the release of Spirituality: 1983-2008, a 2-CD collection of some of their best material from across the years with two new songs thrown in for good measure. Spirit Of The West has traversed Canada many times over the years, and to a lesser degree the United States and Europe. Starting out as a Celtic folk group, the sound has evolved over twenty-five years into a more refined pop/rock/Celtic blend, but Spirit Of The West never forgot their roots. Where you are a long-time fan of Spirit Of The West, a passing acquaintance, or even if you’ve never heard of them before, Spirituality offers much to enjoy and needs to be on your “get” list.

For the fans of Celtic and Scot songs, Spirit Of The West brings much from their glorious past to Spirituality. Doin’ Quite Alright, The Crawl, The Old Sod and Home For A Rest all fit the bill quite nicely. Home For A Rest has been consistently ranked by Canadian music fans as one of the top Canadian New Rock songs of all time. Of course, Spirit Of The West had a distinct social conscience in their music as well. Political, their first real hit, is an amazing song about the imbalance in a relationship caused by an insecure or controlling partner. Long time fans will be happy to know that the original version of Political (from Labour Day) is offered here. (Putting Up With) The Joneses is a tongue in cheek look at the sort of damage socioeconomic elitism can lead to; even touching on the social taboo of Eugenics.

Spirit Of The West happens to have written one of the most amazing songs I’ve ever heard, and it’s included here. Take It From The Source takes on bigotry and hatred with a velvet glove lined with iron. The pen is mightier than the sword by far in this moving and powerful personal answer to one of the darker elements of human nature. Take It From The Source, like Spirit Of The West themselves, should be a lot better known than it is.

You can hear the progression from Celtic folk group to rock band occurring throughout Disc One of Spirituality, with Save This House being the first sign that something’s afoot. By the time we get to songs like Goodbye Grace, D Is For Democracy (Scour The House) and Big Head, Spirit Of The West have achieved a true pop rock sound while still heavily influenced by their Celtic roots. Disc Two completes the transition, with five tracks from the Michael Phillip Wojewoda produced Faithlift ((And If) Venice Is Sinking; Sadness Grows; Bone Of Contention; Death On The Beach and Is This Where I Come In). Faithlift was Spirit Of The West’s best selling album with a fair amount of cross-exposure on soundtracks, TV, etc. The instrumentation and arrangements still suggest their roots, but the production values are the pure pop genius Wojewoda has long been capable of.

Unplugged continues the run of social commentary in an upbeat song about Euthanasia and the right to die. Delivered with a wry smile, Unplugged has deep philosophical roots in the right of individuals to determine their own fate. Wishing Line and Our Ambassador find Spirit Of The West at the nadir of their pop/rock sound, almost wholly distinct from where they started out. The album was Weights and Measures, and while offering up songs wholly in the rock realm, Spirit Of The West offered distinct nods to the “old” sound with Canadian Skye and Rites Of Man.

Spirituality also features two brand new tracks, the moody Winter’s Now The Enemy and the raucous Another Happy New Year. The two tracks reflect the two musical aspects of Spirit Of The West wonderfully well. You’ll find yourself wrapped up in the tension and beauty of the former and wanting to dance to latter (preferably with some Guinness or some grog).

Spirit Of The West has built a vibrant and varied catalog over the last quarter century. Too prolific and profound to ignore, the band continues to be a hit at live shows across Canada. The days of endless touring long behind them, Spirit Of The West are content continuing to make great music their way; in their own time and fashion. They still tour, and will commence a tour of Eastern Canada with Great Big Sea on March 11, 2009. While Spirit Of The West was a major label act at one time, they have always carried themselves with an Indie Spirit, and their music is a testament to that. Spirituality is a collection of some of their best moments, but there is much good material not represented. (Noticeably absent is anything from their fine album Open Heart Symphony, as well as my personal favorite song from Faithlift, Sincerely Yours), but a collection of this sort should inspire you to look (and listen) deeper; leaving some nuggets behind for the ardent listener to be rewarded with. With all that’s here, Spirituality can be nothing other than a Wildy’s World Certified Desert Island Disc. It’s an absolute must-have.

Rating: 5 Stars (Out of 5)

You can learn more about Spirit Of The West at http://www.sotw.ca/. You can purchase Spirituality at CDUniverse.com. You will find it Amazon.com but will pay $15 more. Be sure to check out Spirit Of The West’s web page and particularly the individual members’ blogs on that site. John Mann, Geoffrey Kelly, Hugh McMillan, Vince Ditrich and Tobin Frank all have long musical histories that include solo albums or albums with other bands as well numerous guest appearances over the years.

Review: Derek Byrne – Seize The Moment

Derek Byrne – Seize The Moment
2008, Derek Byrne

Derek Byrne has three great loves, his family, music and Ireland. After spending six years touring with Riverdance, and several more with his band, Eider, Byrne has settled down into a solo career. Byrne released two solo albums in 2008. We were lucky enough to receive Seize The Moment for review. Seize The Moment is a rare album that builds into something more than just recorded muse; It’s an experience. Derek Byrne sings and plays as If these songs run in his life’s blood. The Milwaukee, Wisconsin (originally Kildare, Ireland) based singer/songwriter gives his all on the twelve songs presented here. Whether it’s outstanding instrumental work (Eidirian, Blue Eyed Canyon, Running On Fumes Theme) or amazing vocals, Byrne is on top of his game.

There are two songs on this album that are other-worldly, they’re so good. Seize The Moment is a beautiful song about keeping love alive in light of all the responsibilities and pressures that day to day life places on our shoulders. It’s a message we would all do well to stop and listen to from time to time, and the song itself is timeless. Expect this to be picked up and covered again and again by other artists. Likewise The Beautiful Truth; a paean written from father to daughter, filled with all of the love and emotion that relationship classically encompasses. A stone would failed to be unmoved by The Beautiful Truth. Both of these songs are special in that they represent a feeling or relationship in a fashion that is iconic and archetypical while remaining incredibly personal and touching. The musical arrangement for each is amazing.

Of course the rest of the album isn’t so bad either. Byrne is an amazing instrumentalist, and that runs through all of his songs, but Eidirian is a particularly representative piece. Rhythm Of Falling is a starkly honest song that is all heart and very memorable. Save Tara is a gorgeous a Capella piece that you’ll have to hear to believe. Red Is The Rose marches to a martial beat in a classic performance. Other highlights include My Land, Hawaiian Pigeon Breakdown and Marie’s Wedding.

I’ve never heard of Derek Byrne before this, and I am utterly amazed that a singer/songwriter this talented could stay effectively hidden from the world for this long. A gifted lyricist as well, Byrne represents the human heart in his music like no other songwriter I’ve heard, all done up in classic Celtic/folk arrangements. Perfect is, of course, unattainable, but for the 12 songs on Seize The Moment, Derek Byrne comes as closes as it’s possible to come. Seize The Moment is, of course, a Wildy’s World Certified Desert Island Disc. Make this CD part of your collection.

Rating: 5 Stars (Out of 5)

You can learn more about Derek Byrne at http://www.derekbyrnemusic.com/. You can purchase Seize The Moment at www.cdbaby.com/cd/derekbyrne2.

Review: Scythian - Immigrant Road Show

Scythian – Immigrant Road Show
2007, Imagramaphone

If you’re looking for first class Celtic music then we’ve got an album (and band) for you. Scythian, a band of Ukrainian descent based out of Washington, D.C., may just be the hottest thing going on the Celtic circuit. With three vocalists, two fiddlers and more spirit than entire jug of punch could provide, Scythian storm the stage or the studio; wherever they happen to be playing. Classical musicians who started busking for fun, brothers Danylo (guitar/accordion/vox) and Alexander Fedoryka (violin/mandolin/bass/vox/harmonica) teamed up with Josef Crosby (violin/bass/vox) and Mike Ounallah to form one of the most dynamic Celtic outfits going. Scythian’s latest effort (their third) is Immigrant Road Show. You won’t be able to put it down.

Immigrant Road Show opens with Immigrant Stomp, a lively Irish Jig featuring some of best fiddle playing I’ve heard in a long time. Try to sit still through this song. Just try it. Hills of Donegal is a great listen; very lively and full of energy. It’s a bit of a modern take on a classic Celtic song; talking about wanting to turn Donegal into a Vegas-style fortress. This would not be a popular idea with traditional Celtic fans but is still a great listen. Jacobites is done in a dynamic arrangement that is full of tension and life. It’s a great rendition. One of my personal favorites on the album is Highway 81. There is a very 1930’s or 1940’s cabaret style to the arrangement that is endearing. The violin fills and complementary lines are well done to the point of brilliance. Vocalist Danylo Fedoryka’s easy style is perfect for this song.

Boyko Dream is done in a gypsy style that invokes dark and daunting images. There are also elements of a middle-eastern sound here that are very intriguing. Boyko Dream ends up as a huge jam with each member trading solos and egging the others on. Tuesday Morning is a Celtic themed rock song with real legs. This will get your feet moving and would have real commercial potential with the right placement. Final Reel is a master class in Celtic ensemble playing. You’ll dance, you’ll laugh, you’ll call for another pint. Classic. Technoccordian is a stab at Celtic hip-hop; complete with MC.

Kesh Jigs is a wonderful opportunity for some Irish dancing. Great for a dance hall or a kitchen party, just make sure to keep the Grog flowing. I Will Go dips into the Scottish songbook for a revolutionary song from the era of William Wallace (or thereabouts). Stop The Show throws you violently back into one of the most frenetic jigs I’ve heard; I got dizzy just listening to the dueling fiddles of Josef Crosby and Alexander Fedoryka. Make sure you check out Follow Me Up To Carlow and Fields of Athenry, but put aside some time to appreciate Gypsy Fiddle. We got an idea of what the two fiddlers were capable of on Stop The Show, but this piece is amazing.

Scythian is the real deal: an old school, grab your shillelagh Celtic band. So many bands mix Irish musical heritage with Bluegrass, Rock or World Music these days that it is a pleasure to hear a band going the old school route. The sound is sweet. Another pint or two while you listen; Immigrant Road Show is a treat for the ears. It’s a Wildy’s World Certified Desert Island Disc and a must for your collection.

Rating: 5 Stars (Out of 5)

You can learn more about Scythian at www.myspace.com/scythian or http://www.scythianmusic.com/, where you can purchase a copy of Immigrant Road Show.

Review: Dog Gods - I Am Large; I Contain Multitudes

Dog Gods - I Am Large; I Contain Multitudes
2008, Dog Gods

Arkadelphia, Arkansas is a small town of about 10,500 residents that has nonetheless produced no less than four NFL Football players. An old salt mining town, "The Arc Of Brotherly Love" has now produced an interesting musical conglomerate in the Dog Gods. This Folk/Americana band has a unique songwriting style and sound that is pure musical nirvana. Marck L. Beggs (vox, guitar, songwriter); Jason Chism (keys, production); Phillip Taylor (bass); Luke Pittman (lead guitar) and Craig Seager (drums) create lushly energetic and intelligent songs that are unlike anything you've heard in popular music. Dog Gods debut CD, I Am Large; I Contain Multitudes was self-released by the band in 2008. Its fifteen songs of quirky, catchy and unusual folk pop you don't want to miss.

The album opens with Another Day, a highly catchy and smartly cynical song. It's great Americana rhythm to it that makes you want to get up and two-step. Antarctica is my favorite song on I Am Large; I Contain Multitudes. Antarctica is 3:24 of Pop/Folk perfection, and reason enough to by the album on its own. The Man Who Mistook His Wife For A Hat borrows its title from a book by Oliver Sacks (Patch Adams) of the same name. It's a humorous story song that will leave you laughing and shaking your head in enjoyment. Ploughing The Moon has a great melody you're not likely to forget any time soon.

A second favorite here is Ireland Suite. Ireland Suite is very strong on Americana roots. This is destined to be a crowd favorite, and shows flashes of style similarities with Great Big Sea. Valentine For A Bi-Polar is a classic. The arrangement is wonderful and the lyrics alternative between ironic humor and straight forward suffering love song. Satellite Radio Blues has a Doors feel to it and is a very enjoyable listen. Other highlights include There's A Light At The End Of This Train; Disgrace - David's Lament and Blue Cats & UFO's.

The Dog Gods are certainly eclectic. Their mix of Rock, Americana and Folk is refreshingly new while being just familiar enough to be comfortable. I Am Large; I Contain Multitudes places Dog Gods firmly on the Folk/Americana map as a musical force to be reckoned with. I Am Large; I Contain Multitudes is a beautiful start.

Rating: 4 Stars (Out of 5)

You can learn more about Dog Gods at www.myspace.com/doggods. You can pick up a copy of I Am Large; I Contain Multitudes at www.cdbaby.com/cd/doggodsmusic or http://www.indierhythm.com/.

The Wildy's World Top-40 of 2008: #34 - #40

Ah yes, the dreaded end-of-year lists have begun. Not being able to resist the call of annoying pop-culture end of year lists, we here at Wildy's World thought we'd tear our hair our trying to present you with the top 40 albums we've reviewed in 2008. The albums had to be released in 2007 or 2008 in order to be considered, and a total of 537 albums were in the mix. This means the forty albums we'll present over the next 10 days comprise the top 7.5% of submissions in 2008!

Each listing will give a very brief statement about the album, and the artist name/title will serve as a hyperlink to the original Wildy's World review, where you can also find links to the artists' website and links to purchase their CDs.

Today we are covering #'s 34-40. Without further ado...

#40 Katey Laurel - Upstairs, Downstairs

With a warm, unforgettable voice and an ability to connect with listeners that's a little unreal, Katey Laurel's debut album slips into the top 40 quietly at the end of the year, but once you hear this young lady you won't be able to put her CD down.
#39 Great Big Sea - Fortune's Favour
Great Big Sea's 9th album takes a more pop turn while preserving the strong New Foundland/Celtic influences that have made them fan favorites the world over. Producer Hawksley Workman takes what has always been a talented and exciting band and streamlines their sound in a way that is both sleek and exciting.

#38 Hot Buttered Rum - Live In The Northeast
Easily one of the finest live bluegrass albums I've ever heard. Hot Buttered Rum brings an energy and presence that could not only carry bluegrass back into the mainstream of country music, but of popular music in general.
#37 Anj - When Grey Blushes
One of the most darkly beautiful albums we reviewed this year, Anj brings her brand of orchestrated jazz into the twilight for your listening pleasure. It's an enthralling album, the sort you might listen to obsessively.
#36 Maria DeMaio - Maria DeMaio
With a sultry voice and a palpable vulnerability, DeMaio is everything you want in a Rock N Roll songstress. Her debut is fantastic!
#35 Wensday - Torch Rock
When your musical patron/mentor is Alice Cooper, you've got a pretty decent shot at success. When you have a voice and a presence like Wensday, it's practically guaranteed. On Torch Rock Wensday sings just about every style imaginable, and does it well. Perhaps a little too varied to be commercial, but I'll bet you won't be able to put it down.


#34 Olio - Living The Dream

Olio is like a super group made of people you've never heard of. Three top-notch musicians/composers come together to bend genres and styles around a classic rock core to create something dynamic and familiar yet refreshingly new. One of the most pleasant surprises of 2008.

Review: The Killdares - Secrets Of The Day

The Killdares - Secrets Of The Day
2008, The Killdares

The Killdares aren't quite like anyone you've heard. You like Celtic music? check. You like a big rock sound? check. Grand master violin playing? check. Screaming bagpipes? check. Wailing electric guitar? check. A lead singer on drums? Got that too. The Dallas based quintet sets hearts and minds atwitter with their mind blowing mix of sounds and styles both in the studio and on stage. Traditional Celtic fans even fall in line for a Killdares show. On their fifth independent release, Secrets Of The Day, The Killdares even add a dark electronic element to their sound. It's an expansion on rather than a deviation from their sound. Prepare to be blown away.

The Killdares mix of Celtic and Rock is unusual but not unique. Several bands have done so over the years, most notably The Pogues, who mixed Celtic and Punk quite nicely. Other fine examples include Captain Tractor, Spirit Of The West, Great Big Sea and Seven Nations. If you enjoy any of these groups then there's a strong likelihood you'll love the Killdares. Rip-roaring bagpipes, searing violin and the strong vocals of Tim Smith make everything the Killdares touch turn to gold. Secrets Of The Day opens with Seasons, a strong, steady rocker with a memorable melody and great hooks. Closer Than You Know brings a big guitar sound and a delicious duet between pipes (Matt Willis) and violin (Roberta Rast). This song will get you moving in a big way and is likely to be a big time concert favorite.

Hold My Heart is a rock ballad with Celtic heritage and crunchy guitars. The Killdares just have this knack for creating very catchy arrangements that make you want to get up and dance. Long Island High is a must for jig fans. Irish jigs to a Rock N Roll beat -- need I say more? Be sure to check out Disappear, one of the more introspective and beautiful songs on the album. It's followed up by Along Came You, a delicious musical construct that leaves the listener picturing a lone horse and rider crossing a plain from the far horizon to here. The melody of Along Came You is inspired; it's a rock ballad that will be major mix tape material and has a great pipes solo to boot. Secrets Of The Day may just be my favorite song on the album. Guitar, pipes and violin intertwine to build a driving rock song that you won't be able to get out of your head. Other highlights include Glasgow, Push, Speak To Me and Rose De Lay.

The Killdares are the sort of band that do not come along often. The marriage of traditional Celtic style and Rock N Roll is a powerful one when done right, and the Killdares are definitely doing it right. They are an exciting band to listen on CD; I can't even imagine the intensity of a live show, but I bet its worth the time and money. Secrets Of The Day is a monster disc. It's a Wildy's World Certified Desert Island Disc, and a must for fans of Celtic music or Rock N Roll. Don't pass this one by.

Rating: 5 Stars (Out of 5)

To learn more about the Killdares check out http://www.killdares.com/, where you can purchase a physical copy or a download of Secrets Of The Day.