Kate Miller-Heidke - Liberty Bell

Kate Miller-Heidke - Liberty Bell
2011, Sony Music

Australian singer/songwriter Kate Miller-Heidke is an enigma. Classically trained, Miller-Heidke can sing folk ballads, electric dance tracks or classic opera arias with equal grace. Her rise to world-wide eminence was fueled by a viral video on YouTube for the song "Are You F###ing Kidding Me", but Miller-Heidke is a talented songwriter who doesn't let humor get in the way of great songwriting (and vice versa). Her quirky approach has been lauded around the world, and caught the ear of Ben Folds, whom Miller-Heidke spent a large portion of 2010 opening for. Miller-Heidke recently returned with Liberty Bell, the follow-up to Curiouser.

Liberty Bell kicks off with "Are You Ready", an infectious little tune that gets stuck in your noggin and bounces around for hours. It's a date night song that's sweet and quirky at the same time, and has been picked up for a NYS Lot commercial. Don't let that impugn the song however; this is a legitimate pop hit - light, fluffy and a lot of fun. "The Devil's In The Details" is a distinct change of pace; a lyrically minimalist dance track that's novel ear candy. Miller Heidke's songwriting partner and husband Keir Nuttall rips it up here with some intriguing guitar riffs and an energetic dance track that might just spawn its own dance. The pair keeps it simple on "Liberty Bell", an infectiously catchy and fun track that's danceable but retains enough organic pop sound to make it a potential pop hit. The brief chorus is reminiscent of They Might Be Giants in sound, right down to the angular guitar work and simple lyrical scheme.

"The Tiger Inside Will Eat The Child" is surprisingly bland dance-oriented pop, not the sort of material you'd expect from Miller-Heidke based on her previous releases. "Holloway Park" is cut from similar cloth, but Miller-Heidke recovers nicely with "Let Me Fade". While not her most engaging pure vocal performance, "Let Me Fade" is heartbreaking and powerful. The song is an apology and goodbye from a parent who loved imperfectly and rests at death's doorstep. The simple, piano-based arrangement enhances the power of the song. "You Got The World" is a catchy pop/rock number set to an incessant dance beat; a solid album track that might fit well on a movie soundtrack.

"Better In Spain" is a gentle rumination on a slower pace of life. The vocal harmonies on the chorus will catch your ear first, but this quietly well-written tune is more likely to grow on you over time than grab your attention the first time through. "Fatty Gets A Stylist" is an infectious novelty dance track that is likely to well in the clubs and would fare well in a Farrelly Brothers movie. The song is entertaining, and the vocal harmonies are stark and appealing, but fans of Miller-Heidke may feel as if this tune is below the level of her musical talent. "The Flasher" under-uses Miller-Heidke's impressive voice in another dance track sourced on loops and riffs. The arrangement is catchy, and is likely to do well in the club set, but is bit inane aside from the dance beat. Liberty Bell closes with "The Plane Went Down", a somewhat obtuse and dramatic narrative on a plane crash in the first person. Miller-Heidke is impressive on vocals, and the arrangement is well constructed, but the tune itself is likely to leave listeners scratching their heads.

Kate Miller-Heidke is a singular talent, as is her partner in crime Keir Nuttal. However it's not clear what the musical motivation is on Liberty Bell. Miller-Heidke's is a rare gem in the world of pop music, and her quirky sense of humor and personality allows Miller-Heidke to tackle traditional subjects in a non-traditional fashion. Her previous album, Curiouser, was full of heart, wit and several instances of pure pop magic. Those elements aren't exactly missing on Liberty Bell, but their clarity has been muddled by the striving for chart success. Liberty Bell is a solid effort that leans a bit too heavily on sound and effect and not enough on the natural musical talents of Miller-Heidke. This could have been so much more.

Rating: 3 Stars (Out of 5)

Learn more about Kate Miller-Heidke at www.katemillerheidke.com or www.myspace.com/katemillerheidke.  Liberty Bell is released under Kate Miller-Heidke's name in the US. In Australia, the album is considered a side project for both Miller-Heidke and Nuttall, and is released under the band name Fatty Gets A Stylist.

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Imelda May - Mayhem

 

Imelda May - Mayhem
2011, Decca Records

Dublin native Imelda may is just too good to not be noticed.  Her self-released debut album, Love Tattoo, went triple platinum in Ireland, and she has already shared the stage with the likes of Eric Clapton, Chuck Berry, Meatloaf, Van Morrison and David Gilmour.  Imelda May’s blend of surf, indie, rockabilly and pop is distinctive, and dare it be said, original.  Imelda May’s voice makes you want to drop all that you’re doing and simply listen.  Perhaps most important in a performer, however, is personality.  Imelda May is a whirlwind, sweeping listeners along on her journeys with a blend of intrigue, sex appeal and pure, unadulterated chutzpah.  May’s U.S. debut album, Mayhem, is the sort of album you simply cannot put down.

Mayhem opens with the infectiously danceable rock n roll of "Pulling The Plug".  The simple arrangement offered here works perfectly, allowing Imelda May's gritty/sultry voice a proper introduction that will captivate listeners.  May sounds like a zesty blend of Chrissie Hynde, Tina Turner and Nellie McKay.  "Psycho" is driven by biting surf guitar, exploring a relationship with one scary dude.  May's enigmatic vocal lights up the irrepressible quirk pop number that builds into its own sort of madness in the end.  "Mayhem" is the sort of song that simply won't leave you alone.  Don't expect to sit still, and you'll be drawn to hit replay over and over again.  There's some excellent guitar work here, and an urgent energy that's impossible to ignore.

Imelda May changes pace with "Kentish Town Waltz", a song of true love and perseverance.  If you haven't realized it before now, the song drives home the fact that Imelda May is not just another pop wannabe.  Her take on the perfect state of imperfection that is love is insightful and authentic.  It's an amazing piece of songwriting and performed with a touch of class.  May revs things up again with the sexy come-on of "All For You".  Steeped in a blend of jazz and 1950's rock sounds, the song is a star vehicle that allows Imelda May's personality and charisma to blow up bigger than life. 

Mayhem takes a breather with the light rockabilly of "Eternity", a quiet celebration of love that follows the long wait for the right one to come along.  It's a nice, upbeat love song that avoids schmaltz while digging into a quietly effervescent joy.  "Inside Out" is a catchy, nightclub style love song.  Full of gentle humor and a positive vibe, this is an intimate musical moment that shows depth as a performer and interpreter of songs.  "Proud And Humble" is an urgent bit of urban folk and blues with a memorable chorus; one side of a conversation with God trying to reconcile pride in making good choices with the humility required to make them.  The theme here is a classic contradiction of the human condition; one that has been pulled apart and reconstructed by philosophers, poets and songwriters since humans first put paint to rock.  Imelda May comes along and imparts a brief musical soliloquy in everyday terms that makes it all seem like child's play.

Things get wild and crazy on "Sneaky Freak", the ultimate stalker anthem for the digital age.  With the tongue-in-cheek humor of a Nellie McKay, May lampoons both the obsessives in the crowd, and those who make themselves so available to be stalked.  "Bury My Troubles" is a pleasant little surprise hidden in the back half of the album, an intriguing blend of jazz, pop and swing that's quirky, sexy and fun without being over-the-top.  "Too Sad To Cry" is a blue dirge in a stylistic arrangement that includes the martial rhythms of a funeral march.  Imelda May tops it all off with a great, pure vocal effort that will raise your respect for her and cement your intent to run right out and buy anything she releases. 

May turns for home with the country-tinged pop of "I'm Alive", even enticing a vague Caribbean flavor out of the mix.  "Let Me Out" is a catchy, urgent and upbeat bit of fluff that's worth the aural effort, and leads into a brilliant cover of Soft Cell's "Tainted Love".  May's version is a bit grittier than the original, but work so well you'd swear she wrote it herself.  Mayhem closes with "Johnny Got A Boom Boom", an incredibly catchy bit of rockabilly that you won't be able to get out of your head.  Lyrically the song is pure fluff, but it's the sort of fluff that gets trapped in your head and rattles around for weeks.  May wrote this number early in her career, and first released it in Ireland and the UK back in 2009.  It's become a fan favorite, but never managed to make much of a stir on the charts.  The song is included here as an introduction to US audiences.

Imelda May has got it all.  Tremendous pop hooks, a stunning voice, a quirky, bigger-than-life persona and the ability to write songs that stick with you.  Mayhem is aptly named, running the gamut from sweet and sentimental ballads to pop insanity, all steeped in rockabilly, surf and classic singer/songwriter motifs.  Along the way, Imelda May shows the poise and humor of Nellie McKay, the ability to surprise you musically of Kate Miller-Heidke, and the pure star power of Madonna.  Get used to hearing the name Imelda May.

Rating: 4.5 Stars (Out of 5)

Learn more about Imelda May at www.imeldamay.co.uk or www.myspace.com/imeldamay1.  Mayhem is available from Amazon.com as a CD or Download.  The album is also available via iTunes.