All it takes is 3 chords and a dream!
Showing posts with label Junkhouse. Show all posts
Showing posts with label Junkhouse. Show all posts

Tuesday, October 18, 2011

Cowboy Junkies - Sing In My Meadows: The Nomad Series, Volume 3

Cowboy Junkies - Sing In My Meadows: The Nomad Series, Volume 3
2011, Razor & Tie/Latent Recordings

Canadian mellow-rock mavens the Cowboy Junkies offer up a different sound beginning on October 25, 2011, with the release of Sing In My Meadows, the third release in The Nomad Series. Going well off the beaten path of their past works, Cowboy Junkies venture into a world of low-fi, fuzzy electric blues and folk. The result is their most compelling album since The Trinity Sessions, full of the bluesy, breathy alto of Margo Timmins, minimalist arrangements and a lot of distortion. The bare bones approach to song construction allows for stark contrasts between Michael Timmins' fuzzy guitar work and sister Margo's unforgettable voice.

Breaking out with "Continental Drift", the band spends the first two minutes exploring the open spaces in the arrangement sans vocals before Margo Timmins slips in the back door with an icy, metallic vocal line that's both warm and cold at the same time. The blues influences come fully to the fore on "Sing In My Meadows", a dark and conflicted invitation that's both beautiful and disturbing at once. "Hunted" is perhaps the most wide-open song on the album, allow room for Margo Timmins to rant and wail and show a much more carnal vocal character than fans might be used to. The closer, "I Move On", sounds more like Chrissie Hynde jamming with Junkhouse than anything you might expect from Cowboy Junkies.

Sing In My Meadows has its ups and downs, but is a thoroughly compelling left turn for a band that honed its reputation on a smooth, mellow brand of anti-folk. Sing In My Meadows plays like the band's dark secret, hidden in a closet for all these years and finally let into the light. It's compelling; aboriginal and full of a dark energy that draws you in.
Rating: 3.5 Stars (Out of 5)
Learn more about Cowboy Junkies at www.cowboyjunkies.com or www.myspace.com/cowboykjunkies.  Sing In My Meadows drops on October 25th, 2011 on CD.  The Vinyl edition will follow on November 15, 2011.  Digital versions will be forthcoming through Amazon.com and iTunes, but are not yet available for pre-order.

            CD                     Vinyl


Please note that the Amazon.com prices listed above are as of the posting date, and may have changed. Wildy's World is not responsible for price changes instituted by Amazon.com.

Thursday, July 14, 2011

Jason Plumb & The Willing - Alive And Willing

Jason Plumb & The Willing - Alive & Willing
2011, Soccermom Records

Jason Plumb rose to prominence as songwriter and lead vocalist of Saskatchewan folk-rockers The Waltons in the early 1990's, touring with bands such as Barenaked Ladies and Junkhouse.  Darlings of the Toronto indie rock scene fueled by the then vibrant radio station CFNY, The Waltons enjoyed considerable success across Canada but never quite caught on in the US.  The Waltons were essentially done by the turn of the millennium, but Jason Plumb continued to write songs and has built a successful and highly respected body of work both on his own and with The Willing.  Early this year, Jason Plumb & The Willing released a DVD set entitled Alive & Willing, memorializing a show recorded live in Plumb's hometown of Regina, Saskatchewan, and featuring the Broken Heart Strings, an offshoot of the Regina Symphony Orchestra.

Alive & Willing finds Plumb culling material from across his career in a dynamic live set that aptly shows off his brilliance as a lyricist, composer and performer.  Relying heavily on material from his album Beauty In This World, the show also features songs from Under And Over and some highlights from his career with The Waltons.  The main concert is a real treat, but the big surprise is something called The Neighborhood Dog Episode, a bonus movie featuring a series of home concert performances and anecdotes.  The set also includes a live CD covering most of the audio from the main concert.  Highlights include “Beauty In This World”, “Drive”, “Protest Song/Colder Than You”, “The Water Well & The Farmer’s Hand”  and “Lolita”.  The latter is only on the DVD and not on the companion audio CD. 

The video and audio quality throughout the set is superb.  Jason Plumb & The Willing are everything you could ask for musically.  Plumb sings from the heart; without affectation, and his songs as accessible and timeless.  Alive & Willing is a don’t miss release.

Rating: 4.5 Stars (Out of 5)

Learn more about Jason Plumb & The Willing at http://www.jasonplumb.com/ or www.myspace.com/jasonplumbandthewilling.  Alive And Willing is a limited edition release, and is available from MapleMusic.com.


Saturday, December 12, 2009

Review: Lee Harvey Osmond - A Quiet Evil

Lee Harvey Osmond - A Quiet Evil
2009, Latent Recordings


Toronto singer/songwriter Tom Wilson has been associated with some exciting projects over the years, starting out with his tenure as lead singer for the band Junkhouse in the mid-1990's. Since that time he's recorded as a soloist, in conjunction with Bob Lanois and as a member of Blackie And The Rodeo Kings. Now, at the tender young age of fifty, Wilson is embarking on a new life as lead singer of Lee Harvey Osmond. Joined by members of Canadian groups Cowboy Junkies and Skydiggers, Wilson brings to life 10 brooding Americana/Rock tunes on A Quiet Evil. Produced by Cowboy Junkies' Michael Timmins and released on the band's Latent Recordings, A Quiet Evil is one of the more intriguing debuts of the year.

Lee Harvey Osmond opens with The Love Of One, a quiet-yet-energetic country flavored rumination on loneliness chock full of mournful pedal steel guitar and incredibly tight musicianship. This song is the perfect example of how music can be quiet and lively at the same time. Cuckoo's Nest drops the names of Elvis Presley, Sonny Liston, Madonna and Robert Mitchum, but has the up-close-and-personal feel of a Lou Reed track. Cuckoo's Nest is a nuanced and intelligent story song about hard times and how people survive. Wilson talk/sings his way through this one in what ends up sounding like a highly allegorical autobiography in song. Queen Bee has great energy and instrumental work; the vocal line gets a little bogged down in repetition but quickly gives way to the fine instrumental work of Lee Harvey Osmond.

I'm Going To Stay That Way is a classic country love song/tragedy. Suzie Vinnick's vocal on the duet is exquisite, and mixes well with Wilson's mumbling style. I'm Going To Stay That Way is a song that could go directly to Country Radio, although it would have been a more likely hit a generation ago. Lucifer's Blues is a great listen, although I half expected it to blow up into a heavier sound before it was done (it did not). The understated arrangement and delivery works very well, however. Parkland has a catchy melody and rhythm in spite of the reserved sound, and then something magical happens on Summer Girl. The same quiet feel surrounds this song, but there's a feel of authenticity about the story Wilson tells here that's too rich to be cure creation. The arrangement is highly simplified; giving the sort of life to the story and melody line that can't be planned but just happens in the creation process sometimes. Angels In The Wilderness has a similar feel in spite of the more melancholy bearing of the song. It's a beautiful melody with stirring imagery; a hidden gem. Lee Harvey Osmond closes out with the upbeat acoustic rocker I Can't Stand It, a paean to the ability of love to make day-to-day life more bearable, and how it can all come crashing on you when they leave. It's a fun song that's likely to get worked up even more on stage.

Lee Harvey Osmond isn't going to blow too many people away, unless it's on pure talent. This isn't that sort of band. Instead, expect Lee Harvey Osmond to take a lot of people by surprise. A Quiet Evil is the sort of album where you hear a song in the background and don't pay attention at first; but the music slowly draws you out and draws you in. It's not surprising given the musical stock the band rose from, and Wilson, in spite of his quiet approach, definitely has an ability to connect with listeners. A Quiet Evil is highly enjoyable; it might take you a few listens to really get it, but once you get it you'll be hooked.

Rating: 4 Stars (Out of 5)

You can learn more about Lee Harvey Osmond at www.myspace.com/lhosmond or www.latentrecordings.com/leeharveyosmond. You can purchase A Quiet Evil on CD from Amazon.com.