All it takes is 3 chords and a dream!
Showing posts with label Rage Against The Machine. Show all posts
Showing posts with label Rage Against The Machine. Show all posts

Monday, June 15, 2009

Review: Street Sweeper Social Club - Street Sweeper Social Club


Street Sweeper Social Club – Street Sweeper Social Club
2009, Street Sweeper Social Club/WMG-ILG


Dateline: 1986. Rock superstars Aerosmith release a groundbreaking single and video, reprising their hit Walk This Way with the help of Run DMC. While there are perhaps other examples out there, this is perhaps one of the first commercially successful hybridizations of Hard Rock and the then nascent art form called Rap. The two forms have been blended together over the years many times, but it’s always been something of an uneasy relationship. Then in 2009, a band called Street Sweeper Social Club comes along with their self-titled debut album and wipes the slate clean with a mix of heavy rock and rap so new; so fresh you’ll wonder how the two genres ever existed separately. Guitarist/bassist Tom Morello (founding member of both Rage Against The Machine and Audioslave), producer/lyricist/vocalist Boots Riley (The Coup) and drummer Stanton Moore (Galactic) have created a sound that keeps the heavy edge and bombast of Rock N Roll while mixing in the lyrical panache that Riley is known for from his work with The Coup.

Street Sweeper Social Club opens with Fight! Smash! Win!, featuring dazzling rhymes and a wonderfully heavy guitar line. This should be gold for Modern Rock, Urban and Top-40 programmers. Morello shows off some great melodic guitar work on 100 Little Curses, in an arrangement that sounds like it might have walked out of the late-1970’s or early 1980’s. The Oath is a song of revolution, following the distinctive social justice vein that pervades Street Sweeper Social Club. Pointed barbs are blended with humor and poignant turns of phrase fit for mass consumption throughout the album. The Squeeze traces the line between poverty and violence in what starts out almost as a children’s song before breaking into a heavy rock/rap.

Clap For The Killers is the most sonically interesting track on the disc, as Morello gets his freak on with some seriously deranged riffs and progressions. Good Morning, Mrs. Smith sounds a bit like a classic rock tune done up with some serious guitar riffs. Other highlights include Somewhere In The World It’s Midnight, Megablast, Promenade and Nobody Moves (Til We Say Go).

Don’t be surprised if Street Sweeper Social Club is one of the biggest new acts of 2009. Tom Morello and Boots Riley have outdone themselves with a smart, intriguing and musically exciting album. There’s no doubt Street Sweeper Social Club will make the cut on “Best of 2009” lists, but don’t be surprised if this album has a Grammy nomination or two in its future. Street Sweeper Social Club is essential listening; a Wildy’s World Certified Desert Island Disc. Get it.

Rating: 5 Stars (Out of 5)

You can learn more about Street Sweeper Social Club at http://www.streetsweepersocialclub.com/, www.myspace.com/streetsweepersocialclub or www.twitter.com/streetsweep. Street Sweeper Social Club hits shelves on June 16, 2009, and is available through Amazon.com, as a download through iTunes, or wherever music is sold.

Review: Chris Nunez - Chris Nunez EP


Chris Nunez - Chris Nunez [EP]
2009, PremUnite Records


Chris Nunez is a rising rock star, a former Marine, an Iraq war vet and has designs on being a strong voice for his generation. Playing rock music with an edge akin to Rage Against The Machine and a message that conveys in peace, love and understanding, Nunez isn't so much a voice in protest of the way things are but an advocate for where we should be as a society. Hard Rock, Reggae, Jazz and Blues all find their way into the five original songs presented on his debut EP, Chris Nunez. The socially minded Jersey shore rocker, who is of Colombian-American heritage, never lets up in his relentless drive for social change. Nunez embodies the work and social ethics of a young Springsteen with the steely guitar sound of Lenny Kravitz.

Nunez opens with a classic grunge-style tune in Dr. John Brown; sounding like a cross between early Soundgarden and Pearl Jam. The song is about oppression, society and what it takes to rise above it all. Gasoline Dream is a moderately catchy tune that tries to balance commercial appeal with a distinctive rock edge. Nunez plays around with some jazz elements on Club Zion, particularly in the reprise. Plenty But Few and Our Generation were okay, but didn’t leave a distinct, lasting impression

Chris Nunez is a very talented axe man, and there are indications of real songwriting talent here, but a collaborator might add the appropriate level of creative conflict to really bring out the best in Nunez. The songs on the Chris Nunez EP are very listenable but don’t dig in to find that special oomph that real makes a listener keep coming back. A decent effort.

Rating: 3 Stars (Out of 5)

You can learn more about Chris Nunez at http://www.premuniterecords/. You can purchase a copy of Chris Nunez at CDBaby.com.