Joshua Panda - Joshua Panda

Joshua Panda - Joshua Panda
2010, Joshua Panda

You'd never guess it, but Joshua Panda is all of twenty-five years old. Keep that in mind as you listen to his self-titled album, a recent independent release. Panda sounds like a seasoned story-teller and songwriter in the vein of Randy Newman. With influences as diverse as Van Morrison, Tom Waits, Sam Cook, Townes Van Zandt, Kris Kristofferson and Otis Redding, Panda has a brilliant performing persona that's too good to be anything other than genuine. Joshua Panda is proof positive; encompassing twelve original songs and one cover that leave no doubt about Panda's talent, durability and essence as a songwriter or performer.

Joshua Panda opens with "Masquerade", a devilishly good bit of Americana songwriting that would seem more at home amidst the great singer/songwriters of the 1970's. Panda shows a lyrical depth and sense of melody that are rare in combination. "Rosie" is a rousing number straight out of New Orleans. You'll want to dance along as Panda spins a fun tale in an irresistible arrangement. "It's All Relative" has a dually melancholy/hopeful feel in a lover's lament about the world outside and the saving grace of love. Panda tackles "Are You Hurting At All" with a classic country flare that would sound at home in Nashville in the 1950's or early 1960's. It's a highly stylish and realistic bit of songwriting that should sit well across generations of listeners.

"Pastor" is a mildly raucous bluegrass tune sung from the perspective of a father who fends off a wolf from his daughter. The wolf just happens to be the local pastor. It's a great tune; very well written and Panda is in perfect voice here. "Tattle Tales" is the most purely entertaining track on the album. Panda will remind listeners of Randy Newman with his wit and lyrical touch as well as his musical versatility and tendency to write songs "in character", and "Tattle Tales" is a perfect example of these qualities. "Lemonhead Wine" documents an unfortunate stay in South Dakota involving government work and the narrator's preferred method for passing time. All of this is offered in an entertaining country/zydeco blend that's thoroughly infectious.

"Weight In Gold" is a utilitarian love song, singing the praises of a good woman in classic country overtones. "I-77 Blues" is more early rock and rhythm n blues. Panda is very convincing through the rapid-fire lyrics and vibrant arrangement that features some of the hottest piano playing this side of Jerry Lee Lewis. "Mama's Song" is a loving tribute of sorts, to a mom who clung to her son when her husband left, only to lose that son to music. It's a sweet number that uses gentle humor to describe an entirely human situation. Panda closes with a wild version of Tom Waits' "Come On Up To The House", a party-time song done in the zydeco style. Just try to sit still.

Joshua Panda runs through much of the American songbook stylistically. Country, zydeco, rock n roll, rhythm and blues and even hints of gospel and soul can be found on Panda's self-titled album. What's abundantly clear is that Joshua Panda is an entertainer with a capital E. Panda's versatility and depth as a performer is matched by raw musical talent. Panda walks you through vignettes drawn from the lives of persons both imagined and real in much the same fashion as Randy Newman. Even if you're lukewarm on the music on Joshua Panda, the energy will draw you in. Don't miss this guy.

Rating: 4.5 Stars (Out of 5)

Learn more about Joshua Panda at http://www.joshuapanda.com/ or www.myspace.com/joshuapanda.  Joshua Panda was originally due for an August release but appears to have been delayed.  You can preorder the CD from Panda's website.  Expect digital availability from iTunes and Amazon.

Review: Nick Daugherty - Movin' Higher

Nick Daugherty – Movin’ Higher
2009, Skyrocket Records

Los Angeles singer/songwriter Nick Daugherty is a former military officer with a penchant for deep lyrics and soulful arrangements. Among the upper echelon of performers on the L.A. music scene, Daugherty sets his sights on bigger things in 2009 with the release of his debut album, Movin’ Higher. Produced by Mandi Martin (Ray Charles, Sam Cooke, Oleta Adams, Amy Kuney), Movin’ Higher finds Daugherty throwing his heart and soul into every single track. It’s no surprise considering his list of influences, which include Sting, Billy Joel, Clapton, Stevie Ray Vaughan, Dave Matthews, Paul Simon and Derek Webb (Caedmon’s Call).

Daugherty opens with Movin' Higher, the title track, a mix of Americana, Blues and good old-fashioned pop music. The song is highly melodic with soulful backing vocals and a whole lot going on between the staves. Daugherty breaks into some easy flowing R&B on Out Of My League, a Delilah-worthy tune if ever there was one. Sick Day has a Barry Manilow does R&B feel to it that's pleasant to listen to although a bit odd in retrospect. The music here is generally in the Easy Listening/Adult Contemporary category, and works so well because Daugherty's voice is so pleasant and unimposing. Daugherty hits serious mix-tape territory with A Thousand Times Tonight, a sweet "falling in love" song that is sure to melt some hearts.

Staring At The Sun is a song about getting in lost in your own social scene, it's a high energy though slightly muted rock song with a high commercial ceiling. This sounds like movie soundtrack material for a teen comedy; don't be surprised if a bunch of artists pick this up as a cover tune. Daugherty steps back from the precipice of Rock N Roll with a jazz-flavored, Manilow-style ballad in Jamie. The songwriting here is exquisite, with Daugherty showing a lyrical finesse that is uncommon. This is another tune that sounds like licensing is in its future. The same lyrical acuity is noted on I Won't Stand For Watching You Fall Down. This song also hits on some mix-tape magic, but does skate dangerously close to the edge of cliché at times. The album closes out with Something More and Please Come Back Home. The latter is a love song written in a Blues and Gospel Rock format that's highly appealing to the ear.

Nick Daugherty writes Rock N Roll with some Blues, Gospel and R&B flavoring, depending on the mood of the song. Comparisons to folks like Barry Manilow, Marc Cohn and Joshua Kadison are inevitable. Daugherty's voice is a great sounding every man's voice; easy on the ears and with enough energy and heartfelt emotion to get listeners to buy into his songs. As a songwriter Daugherty is outstanding, possessing a talent for crafting lyrics that convey meaning without sounding trite. The material on Movin' Higher has a definite reading on the Schmaltz scale, but so what? When it's done well in the context of great songs, schmaltz is just another form of showmanship. Daugherty proves that showmanship is definitely a talent he possesses, and Movin' Higher is a great introduction who should be making music for many years to come.

Rating: 3.5 Stars (Out of 5)
You can learn more about Nick Daugherty at www.myspace.com/nickdaugherty or http://www.nickdaugherty.com/. You can purchase a copy of Movin’ Higher at Amazon.com, or download the album from iTunes.

Review: Kat Edmonson - Take To The Sky

Kat Edmonson - Take To The Sky
2009, Convivium Records

Austin, Texas-based Jazz siren Kat Edmonson makes an exciting debut with Take To The Sky, an album of 9 reinterpretations of jazz standards and pop hits. Released digitally earlier this year, the album is available on CD for the first time on June 2, 2009. Mixed by super Engineer Al Schmitt (19 Grammy’s), Edmonson has an extremely talented band to back her up. Drummer J.J. Johnson (John Mayer, Charlie Sexton); bassist Eric Revis (Branford Marsalis Quartet) and pianist Kevin Lovejoy (Spoon, John Mayer) are joined by guests John Ellis (Charlie Hunter) and Ron Westray (Wynton Marsalis) in providing a tight and original tapestry in support of Edmonson's stunning vocals. Engineer Schmitt, who's worked with the likes of Frank Sinatra, Barbra Streisand and Sam Cooke, describes Edmonson as "the best new jazz singer I have heard in years".

Kat Edmonson is a once-in-a-generation voice. With a sound reminiscent of the great female jazz vocalists of the 1920’s and 1930’s, Edmonson is a treat for traditionalists, yet has just enough quirky pop sensibility to traverse the generations in between. Take To The Sky opens with Gershwin’s Summertime. The arrangement here is unusually dark, allowing Edmonson to be the only light you hear for the first two minutes of the song; she shines in a gritty and nuanced performance. The Cure’s Just Like Heaven gets a jazz/samba treatment here. I have to admit it took a few listens for me to really get this song, but it’s probably one of the finest covers I’ve heard. Edmonson is seraphic on Cole Porter’s Night And Day and turns in an incredible performance on Henry Mancini’s Charade.

Edmonson plays chameleon on the Cardigans’ Love Fool, sounding so much like Nina Persson that even fans of the band may be fooled. Edmonson projects a steely vulnerability on this song that is engaging. Angel Eyes (Brent/Dennis) is a popular selection that’s been covered by the likes of Sinatra, Duke Ellington, Ella Fitzgerald, Willie Nelson and Ray Charles and even Sting. Edmonson gives it all she’s got and comes up with a terrific reading of the song. My personal favorite song on the disc is Cole Porter’s Just One Of Those Things. If Porter were able, he would give Edmonson a standing ovation for a modern reading that never loses sight of the spirit of the original. Carole King’s One Fine Day becomes a slinky, taunting song much more fitting to the song’s intent than the bouncy Chiffons version. The album closes out with John Lennon’s (Just Like) Starting Over. Edmonson has recreated the song as a contemplative love song; a true jazz standard. It’s so good you’ll wonder how you ever heard it differently.

Kat Edmonson has a passion for Jazz, and the sort of vocal talent that would rise to the top of most any set of contemporaries of any era since Jazz music was born. The ironically quirky nature of her sound also practically guarantees that if Edmonson ever crosses over to the Rock and Pop worlds she’ll have success as well. The pure creativity and vision on Take To The Sky is stunning; its one thing to be able to cover songs well without sounding like a karaoke performer, but it’s something else again to be able to recreate well known songs in a way that makes them your own without losing connection to the spirit of the original. Kat Edmonson is a vital talent, and Take To The Sky is a Wildy’s World Certified Desert Island Disc.

Rating: 5 Stars (Out of 5)

You can learn more about Kat Edmonson at http://www.katedmonson.com/ or www.myspace.com/katedmonson. You can purchase a copy of Take To The Sky at Waterloo Records or as a download on iTunes.

Review: Sarah Brooks And Graceful Soul - Under The Bones Of The Great Blue Whale

Sarah Brooks And Graceful Soul - Under The Bones Of The Great Blue Whale
2008, Whaling City Sound

You take classic material, an all-star band, a unique setting, a dash of luck and a vocalist with the command, power and soul of Sarah Brooks, thrown them all together and you get magic. Under The Bones Of The Great Whale is the ultimate document of this experiment in musical alchemy, and what a gem it is. Brooks has the sort of voice that transcends genre and time. Hers is a powerful instrument built for Jazz and The Blues, but also adept at R&B, Soul and Rock.

Under The Bones Of The Great Blue Whale opens with Brooks breathing new life into Sam Cooke's Bring It On Home To Me. This may be the most vibrant version I've heard since the original, and aficionados may fall on their knees proclaiming the second coming of Etta James. Burt Bacharach's Look Of Love gets similarly iconic treatment, with Brooks making the song in her own without stepping on the coattails on Bacharach's opus. Chain Of Fools might not quite threaten Aretha's classic version, but Brooks is at least in the same room with a faithful rendition built on a little more funk than the original. Even the Beatles get drawn into the belly of the whale as Brooks puts up a lively and fun rendition of You Can't Do That; which is most memorable for the breakdown in the middle where you get to hear what the band is made of.

At Last (Etta James) is one of the highlights of the disc. This is one of those songs you just shouldn't do unless you're good enough to pull it off. Listen to American Idol auditions from any season and you'll know what I'm talking about. Brooks is all diva here, bringing down the house with a virtuosic vocal performance that does James proud. For all of that, Amazing Grace takes things one step further. Brooks transcends the moment and takes the audience and those listening at home to a magical place for nearly eight-and-a-half minutes. Graceful Soul provides some of the magic, to be sure, but Brooks commands all attention for this song, and rightfully so. The cover of Sting's Fragile is also highly recommended; Brooks is able to provide vocal texture to the song that Sting could never quite capture, although this version lacks the urgency of the original. Other highlights include The Chicken and a moving instrumental version of Amazing Grace.

Every once in a while an album will come along and surprise you for how good it is and how it hasn't gotten more attention. Under The Bones Of The Great Blue Whale is just such an album. Sarah Brooks should be a national talent, and the musicians that make up Graceful Soul should be right there with her. If the great ladies of song of the 1940's, 50's and 60's are your thing, then Sarah Brooks is someone you absolutely have to hear. Even if you don't know or care about that era, I still recommend Sarah Brooks and Graceful Soul highly. All musicians make music, but this is what magic sounds like.

Rating: 4.5 Stars (Out of 5)

You can learn more about Sarah Brooks and Graceful Soul at http://www.sarahbrooks.com/. You can purchase a copy of Under The Bones Of The Great Blue Whale at CD Universe.

Review: Playing For Change - Songs From Around The World

Playing For Change - Songs From Around The World
2009, Hear Music

Playing For Change is the brainchild of Grammy Award winning producer Mark Johnson. Johnson was on his way to work one day in New York City several years ago and witnessed the tangible response a group of New York City subway denizens had to two musicians on a subway platform. Johnson was reminded in that moment of the power of music to change people, events, etc. From that moment came the seeds of Playing For Change. Traveling first around 4 major cities in the US and eventually around the world, Johnson and his team spent several years filming/recording unknown musicians from the four corners of the earth. On April 28, 2009, Songs From Around The World will become available for sale, and it may just be a life-changing experience for some.

Songs From Around The World opens with Stand By Me, a classic folk take on the Ben E. King/Leiber & Stoller classic with elements of Soul, Reggae and Gospel woven in. The video for this song has been making the rounds on YouTube for months. The singers are Roger Ridley, Grandpa Elliott and Clarence Bekker, performing with a truly international band. The Playing For Change band next tackles Bob Marley’s One Love in an arrangement that sounds like Appalachian Blues gone Reggae (if there is such a thing). The vocal arrangement here is primo, and the instrumentation is as down home as it can get. Marley’s War/No More Trouble is one of the more enjoyable songs on the disc, featuring vocalists including Bono and Bob Marley, but the highlight is the cover of Peter Gabriel's Biko. Performed in an Americana arrangement, this rendition puts a fresh spin on the song while staying true to the spirit of the original. Afro Fiesta's rendition of Tracy Chapman’s Talkin' 'Bout A Revolution is inspired, and Keb Mo' is his incomparable self on Better Man. Another highlight is the Omagh Community Choir's rendition of Love Rescue Me. The album closes out with the Playing For Change band giving a standing-O performance of Sam Cooke’s A Change Is Gonna Come. The accompanying DVD features videos of several of the songs on the CD.

Playing For Change is an acknowledgement of, and a testament to the power of music to change the world. Johnson is witness and messenger to the power of music, seeing an esoteric performance in a subway bond together a hundred or so hard-nosed New Yorkers. Grammy Awards aside, this may be his legacy. The album itself is a great listen and highly recommended for roots music fans, or fans of great music, whatever the ilk. Even on the slower songs the artists on Songs From Around The World give their all; the energy and joy in this music is undeniable.

Rating: 4 Stars (Out of 5)

You can learn more about Playing For Change at http://www.playingforchange.com/. Songs From Around The World goes on sale April 28, 2009. You can pre-order your copy from Amazon.com.

Review: Lisa Jaeggi - Demo(nstration)

Lisa Jaeggi – Demo(nstration)
2008, Lisa Jaeggi

Brooklyn-based singer/songwriter Lisa Jaeggi describes her style of music as skateboard acoustic soul. The daughter of Swiss and Japanese parents grew up in the suburbs of Washington, D.C. and attended Guilford College in North Carolina on her way to New York City. In spite of referring to Justin Timberlake as a genius in her media bio we still think she’s pretty cool and talented. Jaeggi’s CD Demo(nstration) is self produced and very compelling. Let’s check it out.

Jaeggi draws from disparate influences including Lauryn Hill, Citizen Cope, Jack Johnson, Sam Cook and Bob Marley; it’s fair to say that you should leave your expectations at the door. Jaeggi marches to her own drummer and you’re better off just trying to keep up with her rather than getting bogged down in pre-conceived notions. Jaeggi opens with Oh Lady You Shot Me!; a gritty folk-pop song reminiscent of Fiona Apple. Up next is You Can’t Spell Believe Without Lie, a lyrical wonder supported by just Jaeggi on guitar. Empirical Science is performed in a talk-sing style similar to that practiced by Nellie McKay but with a darker depth. Men-Like Gods is a compact and catchy song that would greatly benefit from additional instrumentation. The recording offered here is great for a demo, but this song begs for a fuller sound.

Vendetta is a bit of acoustic hip hop that wants desperately to be a big time Rock N Roll anthem. This may the breakout song that Jaeggi needs. With a good band behind her this could become a monster. The CD also includes Tell His Mother, Somebody Else and The Bard, all of which are fine compositions but perhaps not as dynamic as the rest.

Lisa Jaeggi is lyrically brilliant, mining every day topics like a true story teller. Jaeggi finds that nugget in a topic that either you didn’t think it, or finds a different light to shed on it than you might have considered. Vocally she exudes a strong, warm voice that stands up to anything you’ll hear on the radio. The musical arrangements on Demo(nstration) are spare, with Jaeggi providing guitar or keys are need. The base arrangements are excellent, but some of the material here would definitely benefit from the fuller arrangements a band could provide. Pay attention to Lisa Jaeggi, you’ll be hearing from her again. Talent like this doesn’t stay hidden for long.

Rating: 4 Stars (Out of 5)

You can learn more about Lisa Jaeggi at www.myspace.com/lisajaeggi. Perhaps you can talk her into selling you a copy of her CD, Demo(nstration). It’s worth having.

Review: Ryan Delmore - The Spirit, The Water And The Blood

Ryan Delmore - The Spirit, The Water and The Blood
2008, Varietal Records

Ryan Delmore has been a worship leader at the Five Cities Vineyard Church in Arroyo Grande for the past fifteen years. In that time he’s written scores of songs while leading worship in his church, and even managing to tour once in a while. Infusing country, folk, gospel, rock and soul with a Christian message, Delmore crafts a steely blend of religious Americana Delmore’s latest album; The Spirit, The Water and The Blood hints at influences as diverse as Bob Dylan, Sam Cooke, Tom Petty and The Staples Singers.

Ryan Delmore has either created one of the best gospel albums I've heard thus far in 2009 or one of the best Americana albums I've heard in 2009. It's hard to say which, because it's both. The Spirit, The Water and The Blood was born out of Delmore's love of God, but also pays direct homage to classic Americana sounds. Delmore's love of the sounds of artists such as Bob Dylan, Tom Petty and Neil Young is evident and shines through clearly here. Delmore's love of God is equally evident, and I suspect that the religious community will embrace this album enthusiastically. Delmore is supported on the album by guitarist Marc Ford (The Black Crowes, Ben Harper) and his wife Kirsten Ford on backing vocals.

Delmore opens with Mercy, a pure singer-songwriter take on forgiveness and redemption. This is a classic country arrangement that may have commercial potential in secular markets as well. Sing Like Mary Sang plays more into the gospel realm, and Delmore's slightly gruff vocals are perfectly at home here. Provide For Me goes down the country path once again in a fairly straight up country/rocker. The guitar work here is amazing. Country fans will dig this song even if they don't buy into the lyrical content. Teach Me All Your Ways is a quiet ballad that is as much a prayer as it is a love song. Harmony vocals from Kirsten Ford enlighten this song with a sense of quiet beauty.

Sacred has a Ryan Adams/Whiskeytown sound that is both tired and inspired. The energy level on this one doesn't really match the lyrical content, but the arrangement is gorgeous. Jesus' Name is a classic country/pop tune that could garner significant play on pop/country radio. Other highlights are Nowhere To Be Seen, True Religion and Love Of God.

Ryan Delmore is the sort of artist who could bring Gospel music more fully into the popular realm. A great songwriting talent and a strong, soulful voice help Delmore make The Spirit, The Water and The Blood an eye-opening experience. Even if you're not into message you'll respect the music here. Ryan Delmore is a special talent.

Rating: 4 Stars (Out of 5)

You can learn more about Ryan Delmore at http://www.ryandelmore.com/. You can purchase a copy of The Spirit, The Water And The Blood at Vineyard Music.

Review: Movin' Melvin Brown - The Magic Of You

Movin' Melvin Brown - The Magic Of You
2007, Melvin Brown

Movin' Melvin Brown may just be the last of the great song and dance men. His shows are an artists' depiction of what might happen if the likes of Same Cooke, Louis Armstrong, The Platters, James Brown, Ray Charles and Bill "Bojangles" Robinson all took the stage together for one night. Brown sings, dances, taps, clogs and performs comedic soliloquies in the course of a stage show that leaves audiences begging for more. Brown isn't just a mimic, he practically inhabits the memories of artists such as Sam Cooke and Ray Charles, as if the late, great stars stood before you on stage once more, if only for one night. Brown's 2007 release, The Magic Of You, finds Brown moving from persona to persona as he navigates his way through 17 vibrant tunes that run the gamut between Soul, R&B, Rock N Roll and the Blues.

Brown has added a newer song to The Magic Of You in honor of Barack Obama. I Have A Dream (Obama Dream Theme Song) is an update of the great Martin Luther King, Jr. speech as inspired by Obama's historic run for President of the United States. Whoto Man is an overtly political song that reads like a diatribe against dishonorable politicians. This kind of modern, mostly spoken-word material doesn't fit quite so well with Brown's persona. The same can be said to a degree about Communication. It's a great message steeped in cultural politics, but the message in this case overpowers the singer. People, on the other hand, finds Brown more in his element, with classic R&B vibes and a nasty funk bass line and Brown losing himself in the classic sounds.

The Magic Of You finds Brown channeling Ray Charles so close to true you'll do an aural double take. One of the true highlights of the disc is the jaunty My Love Is Real. The arrangement almost borders on cheesy at times, but Brown is spot on in one of the best performances on the album. Master Of The Beat gets Brown into full funk/disco mode with a country flavored guitar lead. It's an odd tune but wonderfully entertaining to listen to. There's almost a Creedence Clearwater Revival "Swamp Rock" thing going on here. I Ain't Got Time is another favorite. Movin' Melvin Brown is absolutely vocally inspired here. Other highlights include Can You Feel and Special.

Movin' Melvin Brown translates pretty well to CD, but my guess is that there is nothing quite like a live show with this man. Nevertheless The Magic Of You is quite a treat. Brown is at his best digging into a classic R&B or Blues sound, but is more than competent on everything else. There are a couple of slow moments on the album, but in general it's a fine offering. The Magic Of You is recommended for all ages, as much of the music Brown is practically universal across generations A great listen.

Rating: 4 Stars (Out of 5)

You can learn more about Movin' Melvin Brown at http://www.movinmelvin.com/ where you can purchase a copy of The Magic Of You.