All it takes is 3 chords and a dream!
Showing posts with label Steely Dan. Show all posts
Showing posts with label Steely Dan. Show all posts

Saturday, October 27, 2012

Mark Etheredge - Change Coming


Mark Etheredge – Change Coming
2012, Vipaka Records
Mark Etheredge is one of a long line of computer software/programming professionals to harbor dreams of an alternate career in music.  Unlike many, Etheredge walked away from the safety and security of his nine-to-five into his dream, full-time gig writing, recording and performing music.  Etheredge’s debut album, Change Coming, plays with the smoothness of adult pop performers as Steely Dan, Boz Scaggs and Rodd Rundgren.  Etheredge sprinkles his twelve original songs with often witty lyrics as he explores real feelings, real people and real life.

Change Coming opens with “Living In The R.T.”, a song decrying the spread of modern technology and the digital lifestyle.  The song is catchy with a mild dose of funk in the baseline, although the vocals are too low in the mix.  Etheredge nails a 1970’s AM radio soul/pop sound here, and keeps it going for “Tuk Tuk Driver”, a catchy little number about falling in love.  The song is actually quite catchy in spite of some occasionally awkward lyrical constructs.  Diving into regret over a relationship he walked away from, Etheredge explores what might have been with “I Would”.  Etheredge struggles a bit with pitch as he takes his voice up an octave for the chorus.  The song is generally well-written, although the lyrical turns are a bit ill-kempt at times. 
Innuendo and thinly veiled intentions are the order of the day on “Hot Tub”, all wrapped up in a deliciously catchy pop arrangement that blends jazz and soul into the mix.  Etheredge goes for humor here, missing the mark but skating along on the strength of the killer arrangement.  Etheredge aims for a second chance at love with an old flame, under the premise that this time she might be “The One”.  Even an impartial listener will be unmoved by the wishy-washy approach here.  Etheredge gets his mojo on for “The Other Man”, a slinky, funky number that tries to usurp the love who is already devoted elsewhere.  This is the best songwriting of the album thus far; hook driven and with a cogent lyrical flow.

“Pimp You Out For Love” starts out sounding like a compact rocker, but breaks into some serious pop/boogie for the chorus.  As good as the arrangement is, the lyrics take a rather pedestrian run at setting up a friend that eschews rhyme schemes and even poetic sense.  “Dear Buddy” is troubled relationship song written from a man to his cat.  Etheredge makes a vaguely subtle attempt to conceal the subject of the song at first, opting for a slow, sliding reveal that’s not without humor.  It’s a cute song that will hit home amongst cat lovers.  The straight-forward piano-driven adult pop arrangement is a good match.  “Room To Room” is full of pure singer/songwriter pastiche.  This portrait of a woman getting ready to downsize her home after forty years has the potential to be touching, but rather than expanding on the story Etheredge simply repeats it.  It’s all done to a solid piano arrangement with string a cello solo in the bridge, but the repetitive nature of the lyrics makes it a hard sell.
“Lessons” is a melancholy treatise on humanity’s tendency to have to learn the same lessons over and over again.  Etheredge gives an affecting performance this time around, sounding as if he’s singing from the heart.  The songwriting here is solid as well, from lyrics to arrangement and back.  “A Bit Of Kindness” exhorts the power of a being good to each other to make a better world.  Funk and jazz-infused pop make up the musical palette for the most vibrant and memorable song on the album.  “Change Coming” is a stiffly awkward pop declaration about rising above mediocrity.  The message is admirable, but Etheredge pairs it with a generic pop piano arrangement that is less than inspiring.

Mark Etheredge works the heart and humor strings on Change Coming, sometimes affecting sweet and/or funny moments, and sometimes tripping on awkward combinations.  The album is a solid introduction to an artist who is still learning his craft as a lyricist, but shows a surprising ability at crafting accessible and complete musical arrangements that seem ready for adult contemporary radio.  Change Coming bodes well for Etheridge’s future as a rock composer, and offers opportunities for poetic growth.
Rating:  3 Stars (Out of 5)

Learn more at www.marketheredge.com

Monday, June 7, 2010

Catherine Russell - Inside This Heart Of Mine


Catherine Russell - Inside This Heart Of Mine
2010, World Village/Harmonia Mundi S.A.

Catherine Russell has a voice you’ve heard many times even if you don’t know who she is. The New York City born daughter of Luis Russell (Louis Armstrong’s musical director) and Carline Ray (bassist and vocalist), Russell has performed or recorded with the likes of Paul Simon, David Bowie, Steely Dan, Cyndi Lauper, Jackson Browne and Rosanne Cash. In April of this year, Russell released her third studio album, Inside This Heart Of Mine, cementing her reputation as one of the most original voices in Jazz.

Russell opens with the title track. "Inside This Heart Of Mine" juxtaposes a regretful vocal line with a jaunty bass line, and Russell makes the most of this happy accident with a smooth voice you could listen to all day. The backing band is nothing to sneeze at either. On "All The Cats Join In" Russell gives us a healthy dose of gentle swing in a song about both the benefits and potential bedevilment of a good party. Russell does a splendid job with "We The People", but her band nearly steals the show with absolutely inspired play, layering solos one over the other in a way that should sound crowded but manages not to. Pianist Mark Shane is particularly impressive whether taking a solo lead or filling in and around Russell's angelic voice.

Russell shows her bluesy side on "Troubled Waters", lamenting the power of gossip to ruin a life, but returns to lighter fare with the classic-sounding love song "As Long As I Live". Russell's temperate alto inhabits this song and brings forth a sound so lovely and warm you'll be moved. The Sarah Vaughan comparisons are going to be made, particularly after this song. Hints of Reinhardt & Venuti can be heard in "Just Because You Can", with Russell taking vocal but sharing the stage equally with guitarist Matt Munisteri and violinist Sara Caswell. Russell is at her sharpest here, making the instruments step-for-step.

Russell excels at the upbeat "Close Your Eyes", and proceeds to start a musical party with "Quiet Whiskey", displaying the wit and enthusiasm the song calls for many times over. Once again, pianist Shane tries to steal the show with absolutely inspired play. You'll hear the sounds and strains of New Orleans on "Slow As Molasses" before Russell launches into the closing number, "Struttin' With Some Barbecue", a magical Dixieland number that will get you dancing.

Catherine Russell could suddenly appear in any era of American Jazz music and be a star. Her voice could fit comfortably amidst those of Holliday, Vaughan and Fitzgerald. Just as good is her backing band, which lights up the soundboard behind her. Inside This Heart Of Mine is destined for critics' year end lists.

Rating: 4 Stars (Out of 5)

Learn more about Catherine Russell at http://www.catherinerussell.net/ or www.myspace.com/catrussell. Inside This Heart Of Mine is available from Amazon as either a CD or Download. Digital copies are also available via iTunes.