All it takes is 3 chords and a dream!
Showing posts with label Twisted Sister. Show all posts
Showing posts with label Twisted Sister. Show all posts

Sunday, February 15, 2009

Review: Illicit Still - Monsterz Of Rock


Illicit Still – Monsterz Of Rock
2009, Illicit Still


Illicit Still is a tribute band from England that pays homage to the golden age of heavy metal. Everything from AC/DC to Motorhead to Van Halen is in play, and Illicit Still plays them with gusto. Illicit Still releases Monsterz Of Rock in 2009 highlighting some of their favorite tunes from the 1970’s and 1980’s. Let’s check it out.

Illicit Still is led by Mal The Voice, who growls his way through the five songs here effectively and passably. Mal is a decent singer for the style, but is victimized somewhat by the material. There are certain songs as a singer you just don’t tackle unless you can come close to the original or unless you’ve found your own original read on the song. Illicit Still is extremely faithful to the original renditions, and Mal just doesn’t have the range to match Bon Scott or David Lee Roth at their most dynamic. Illicit Still opens with Motorhead’s Ace Of Spades. It’s a solid, straight up cover, but the mix is way off, making it sound like the band is 100 yards behind the singer. Up next is Twisted Sister’s Shoot ‘Em Down. The rendition is faithful and clean, but once again Mal The Voice just can’t pull off the electricity Dee Snider was capable of.

AC/DC’s Highway To Hell is much the same story. Thin Lizzy’s Whiskey In The Jar is more within the range of Mal The Voice, and the faithful rendition sounds like the original than any of the other tracks here. Illicit Still closes out with Van Halen’s Panama. Here the gap is widest, as while both Mal The Voice and guitarist Stevie Peps Laing are faithful and talented, neither can quite capture the Zeitgeist of the original.

Illicit Still is a great cover band. On a Friday or Saturday night, if your taste runs to metal and Illicit Still is playing the local pub then they’d make for a fine evening of entertainment. They’re good, but don’t really stand out significantly in a market glutted with cover bands. Monsterz Of Rock is a decent listen, but in general these covers just don’t stand up next to the originals.

Rating: 2.5 Stars (Out of 5)

You can learn more about Illicit Still at www.myspace.com/illicitstill. We’re not sure if Monsterz Of Rock is to be a commercial release or a demo. Keep checking back to Illicit Still’s MySpace page for further info.

Tuesday, December 9, 2008

Review: Sonic Bliss - Loved To Death


Sonic Bliss - Loved To Death
2008, Sonic Bliss

Sonic Bliss was born of five New York City music scene vets and one newcomer. The band seeks to bring old school classic rock into the twenty first century with smart lyrics, powerful songwriting and an explosive stage show. Vocalist Rene Berrios sounds like the ideal rock and roll front man, with a big powerful voice that can soar as easily as growl; Two lead guitarists, Roger Petersen and Kerry Christian Agnew give the band a Styx-like guitar sound, and Glenn Roberts and Charlie Martinez make up one of the tightest rhythm sections in Rock N Roll. Band members have individually played with or opened for Joan Jett, Mountain, Dee Snider/Twisted Sister, Ike and Tina Turner, Anthrax, Rick Derringer and Smokey Robinson, among others. Sonic Bliss itself has shared a stage with Winger, Black 47, Richie Havens, Cactus, Blue Oyster Cult and Savoy Brown. Sonic Bliss has built a reputation as one of the finest classic-rock style bands New York has seen. With Loved To Death, Sonic Bliss looks to propel themselves into a higher orbit. It just might work.

Loved To Death opens with Sahara, a big, strutting guitar rock tune that is at times reminiscent of Metallica. Aside from the big guitar work this song has a strong melody and a certain melancholy chutzpah that can not be denied. Far Cry takes off on a tear built of great guitar hooks and an outstanding vocal performance. This song sounds like post-Dennis DeYoung Styx material and is one of the better songs on the album. Better Days is a big acoustic anthem that allows the listener a bit of respite before the explosive hook that opens Home Again bends your mind. Home Again explores the human capacity for greed; the constant need for more and more. The song is full of great harmonies and a vibrant guitar part that very much moves the song along. Babe I'm Dying brings some 1970's funk into the mix, complete with horn section. Not to lay on the Styx references too much, but if you know ever heard Lonely People you'll know exactly what sound I'm talking about here.

It's not so much that Sonic Bliss sounds like anyone in particular, although the Styx and Metallica references have some real weight. It's more that Sonic Bliss engages on a musical playground that so many great bands have visited before. At the end of the day Sonic Bliss has a sound all their own, and that comes across nicely on Dead Sea Of Love, which is probably the best song on Loved To Death. Berrios is absolutely at the top of his game here, and Lea steps forward to the mic as a foil on the chorus to deliver a devastating aural counterpunch. The woman has pipes. In My Dreams opens with an organ interlude that segues into a roiling, angst filled guitar bank. The dark tone and themes roll away into sunlight for just Berrios and church-style organ. In My Dreams comes across as almost prayerfully introspective.

Nail In My Heart with a gypsy-sounding violin dancing along to a plaintive acoustic guitar part with Berrios singing over the top. This is perhaps the most emotionally powerful song on the album, and Lea again joins in to counterpoint Berrios. Save My Soul is an angry, anxious and ultimately desperate plea buried in driven guitars and seismic rhythms. Seven Days is a wonderfully dark rocker with religious overtones and some really unusual guitar work. From a pure Prog perspective this might be the most memorable song on Loved To Death, as it spirals almost out-of-control to its end. As an added bonus there's a live version of Stevie Wonder's Superstitious that will absolutely knock your socks off.

Sonic Bliss uses the concept album format album to drive home eleven powerful songs centered on themes of religion, redemption, belief and the infallibility of human imperfection. Prog/Arena rock fans you've been waiting for this one. Loved To Death brings retro-1970's hard rock into the twenty-first century with a glorious, resounding bang. Check out Loved To Death and see why Sonic Bliss have become almost legendary on the New York scene. You won't be disappointed.

Rating: 4.5 Stars (Out of 5)

You can learn more about Sonic Bliss at http://www.sonicbliss.net/, where you can purchase a copy of Loved To Death.