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Showing posts with label Wicked. Show all posts
Showing posts with label Wicked. Show all posts

Friday, July 17, 2009

Review: Chess In Concert


Chess In Concert
2009, Reprise Records


On May 12th and 13th of 2008, London's Royal Albert Hall came alive for a concert production of the musical Chess. With a score by Bjorn Ulvaeus and Benny Andersson (both of ABBA), and lyrics by the legendary Tim Rice, Chess has become one of the cult musical hits of the last twenty-five years. Chess has seen multiple versions in its first quarter century, many mixing and matching elements of the original West End and Broadway productions, but Tim Rice declared this concert version to be the "official" version of the show. There are no less than six recorded versions of the show that have been sold at one time or another, and each varies a little or a lot from the others. In conceiving this performance, an all-star cast was chosen to perform with the City Of London Philharmonic Orchestra. World-renowned singing star Josh Groban reprised the role of "The Russian" Anatoly (he previously performed as Anatoly in a 2003 Actor's Fund Of America Concert), while Idina Menzel (Wicked, Rent) took the lead of Florence. Rent's Adam Pascal is Freddie (The American). Other principals include Clarke Peters as Walter, Marti Pellow (Wet Wet Wet) as the Arbiter, David Bedella as Molokov, and Kerry Ellis (Wicked - London) as Svetlana. Reprise records released Chess In Concert as a DVD, a 2-CD set and a one CD highlights disc on June 30, 2009. A special edition combination CD/DVD is available solely on websites of stars Josh Groban and Idina Menzel.

Chess is a Cold War musical that views the political struggle between the United States and The Soviet Union through the prism of the 1972 World Chess Championship. Freddie, The American, is loosely based on the character of former World Chess Champion Bobby Fischer, while Anatoly has been speculated as having basis in the lives of Russian Chess Masters Anatoly Karpov and Victor Korchnoi. Granted this recording can pick and choose from two separate concerts for the material presented on CD and DVD, but the recording is nearly flawless. Fans of Idina Menzel may be a bit surprised to hear a more lyric vocal style from the Tony winner; hitting some notes in head voice you might never imagine after hearing her belt her way through Wicked and Rent. Her performance is outstanding, as is that of Groban. As a longtime fan of the show it was a bit jarring to hear Groban voice the role of Anatoly without a Russian accent, particularly in light of David Bedella's incredible Russian accent as Molokov, but Groban's so good it just doesn't matter in the end. Perhaps the most pleasant surprise is Adam Pascal as Freddie. Pascal is a great singer, which I knew, but he took the role of Freddie right over the top, putting in the best vocal performance in that role of any of the six recordings now or previously in print. The other pleasant surprise was Kerry Ellis. I hadn't come across Ms. Ellis before, but it shouldn't surprise considering her status as leading lady in the West End production of Wicked (and previous stint as Elphaba on Broadway as well). David Bedella was perfect as Molokov, and Marti Pellow put in a strong vocal performance as the arbiter, but may have been miscast, sounding less than authoritative in a role full of its own power.

There isn't a bad moment on the disc, although Menzel's stage pronunciation gets a bit over-emphasized in the recording on a couple of occasions (this is more of a production issue than anything). The City Of London Philharmonic is flawless throughout, and the ensemble pieces sparkle and shine like jewels at the bottom of a sunlit stream. Rice's lyrics are as sharp and enduring as ever, and the score speaks for itself. Highlights abound. Groban pulls off an amazing vocal performance in Where I Want To Be, and Menzel knocks it out of the park on her first solo venture, Nobody's Side, with a tough-yet-vulnerable feel that defines the character of Florence. Pascal and Menzel find an interesting bit of chemistry on Florence Quits, where Freddie goes Brooklyn on Florence and she gives it right back. The long association of Menzel and Pascal may have helped out here, but they sound like two lovers tearing each other apart.

Quartet may be one of the finest ensemble pieces this side of Frank Loesser's Fugue For Tin Horns, and even though this particular version isn't my favorite it's still extremely well done. Embassy Lament is enhanced as a quartet rather than the original duo, providing light moment with some gorgeous harmonies. Two particular diva moments stand out in the show as well. Idina Menzel owns the stage, crowd and hall on Heaven Help My Heart, proving that she can handle a lyric line as well as she can defy gravity. Likewise, Pascal takes Pity The Child home where it belongs. This is perhaps one of the finest male solo pieces in the Rock Musical era, and Pascal doesn't disappoint. Josh Groban, never one to be left out of the discussion, brings his own moment on Anthem, making any debate regarding accents moot once and for all. Kerry Ellis even takes a turn on Someone Else's Story as a lead up to her epic duet with Menzel on I Know Him So Well. Ellis' full, deep tone balances Menzel's edgier sound so perfectly you'd think they were born to sing together. Pascal also takes One Night In Bangkok, the biggest hit from the show, and creates a reading that's better than the original.

Chess In Concert will bring a collective wow from fans old and new. The show never really got much of a chance in the US because it was so badly butchered for the Broadway run, but there's a reason it keeps getting revised and revived in small runs all over the world. Rice, Ulvaeus and Andersson managed to create a bit of theater magic in Chess. Chess In Concert has been declared the definitive recording of the show by none other than Tim Rice, and so it shall be. It's only a matter of time before the show makes a return to London's West End and perhaps even Broadway. For now, Chess In Concert is a magical take on a show you can't afford to have at least a passing acquaintance with. Chess In Concert is an essential listen; a Wildy's World Certified Desert Island Disc; a classic. Don't miss it.

Rating: 5 Stars (Out of 5)

You can learn more about Chess In Concert at http://www.chessinconcert.com/. You can order a copy of Chess In Concert from Amazon.com. There is also a DVD available and a highlights disc. The concert is also available through iTunes.

Friday, February 6, 2009

Review: Fiona Joy Hawkins - Blue Dream


Fiona Joy Hawkins – Blue Dream
2008, Little Hartley Music

Fiona Joy Hawkins turns heads every time she sits down at the piano and starts to play. The Australian composer/pianist mixes classical themes with jazz and world sounds and rhythms in a form of musical alchemy you have to hear to believe. Her latest recording, Blue Dream, is remarkable to listen to, and the supporting cast is indicative of the sort of respect Hawkins commands in the industry. Produced by William Ackerman (Founder of Windham Hill Records); Blue Dream features guest/supporting performances by Luka Bloom, T-Bone Wolk (Hall & Oates), Heather Rankin (The Rankin Family), Eugene Friesen (Paul Winter), Jeff Haynes (Pat Metheny) and Jeff Oster.

Blue Dream plays like a cross between ballet and musical theater. Lyric in composition and quiet in attitude, Blue Dream tells a musical story as if speaking in a dream. Hawkins is fearless in her musical exploration, giving no quarter to musical ideas but pulling them fully into the light of day and embedding them deep in the musical tapestry she weaves. Freedom opens Blue Dream like a sunrise inching over the horizon, illuminating the musical horizon in half-light and shadow. Feeling Sunshine is a vibrant picture of a world waking up. The dominant melody line of Feeling Sunshine kept calling to mind Lyrics from Wicked’s Defying Gravity. Fans of the show will get it.

From The Outside is one of my personal favorites on Blue Dream, with the piano sketching a sad yet hopeful figure standing just out of reach of his/her dreams. Blue Dream is a gorgeous composition buoyed by a lovely yet dark string arrangement. Samite’s Interlude is one of the more intriguing compositions here, focusing primarily on wooden flute, voice and percussion. This song has a disturbing, dream-like quality to it that really stands out. Song Phonique is another strong offering; a piano piece that builds in intensity and complexity until it spills over into a lovely mix of African rhythms, piano and voice. The song resolves back to piano before re-inventing itself as a modern, Eastern-European madrigal carried by violin and an angelic female vocal. Other highlights include Voice Of Angels, Prelude To A Painting and Somewhere.


Fiona Joy Hawkins gas gained the confidence and respect of the folks mentioned here for a reason. She’s that good, and she’s not afraid to take chances in her music. Blue Dream is an epic composition that will stand the test of time. Hawkins has previously been recognized with a Best Piano Album award by the NAR Lifestyle Music Awards (2006) and the best Classical/Jazz Album award from the MusicOz Awards (2008). Her prior releases have all spent time at #1 on the World New Age Radio Charts, but Blue Dream is the album that should cement her reputation internationally. Here you may witness a creative and performance genius hitting the top of her game.

Rating: 4.5 Stars (Out of 5)

You can learn more about Fiona Joy Hawkins at http://www.fionajayhawkins.com/. You can purchase a copy of Blue Dream at her site or at www.cdbaby.com/cd/fionajoyhawkins7. The album is also available for download on iTunes.