Julia Wade – Solos
2012, Julia Wade
2012, Julia Wade
Julia Wade has a singular voice born of classical training
and operatic leanings. As a crossover
artist, Wade’s material runs the gamut from classical to Broadway to folk, with
a bit of almost everything in between.
Wade seeks to inspire with Judeo-Christian inspired lyrics and an easy,
contemplative musical style that lends itself to meditation. Wade’s latest album, Solos, is cut wholly from this cloth. Expounding on passages about God, spiritual
love, sacrifice and joy.
Wade kicks off Solos
with the contemplative recitative “Beauty.”
This seeming rumination on aesthetics is actually woven with phrases
that strive for a deeper spiritual connection.
Wade’s poetry is rough and unpolished at best, and her lyric
presentation style grows quickly tiring. “Today” sounds like a labored off-off-Broadway
castoff. No one doubts Wade’s voice, but
the songwriting is ham-handed and her presentational style is stilted and
impersonal. Wade hits choppy waters on
“Dominion”, offering a solid vocal performance that is unable to overcome
awkward and stilted writing. “Mind’s
Camera” shows a distinct disconnect between song and style, and the lyrics are
so overdone with faux intellectual spiritual musings that they become unlistenable. “One” follows similar style and sounds, and
practically requires its own libretto.
Julia Wade is afflicted with a need to describe every
thought in complete detail. Listen to
“Divine Love” if you need an example of this tendency, and how it can
completely kill a song. Wade bludgeons
each thought with a barrage of descriptive language that leeches the intended
spirituality and heart from the message.
“Government” follows a similar path, dealing in pseudo-intellectual
musings on human institutions with spiritual overtones. “Prayer” is truly expansive, clocking in at
6:13. Wade’s prayer is full of emotional
disconnect. This disconnect seemingly
decides it likes the neighborhood and sticks around through the end of Solos.
Julia Wade has a distinctive voice that is perfect for the stage. She manages to make some interest on Solos in spite of largely uninspired
spiritual writing. You’ll want to check
out Solos for Wade’s voice, but it’s
a tough garden to tend, and the songs you’ll have to wade through will try the
patience. Solos is a tough sell.
Rating: 1 Star (Out of 5)
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