Eileen Howard – Blues
In the Green Room
2013, SingOut Music
2013, SingOut Music
Eileen Howard is a decorated veteran of theater and
song. Recognized for her regional work
in productions such as A New Brain, Sylvia, and Jerry’s Girls; Howard’s career as a recording artist spans 20 years
and five albums. Her latest effort, a
live recording entitled Blues in the
Green Room, shows a consummate artist at the top of her game knocking on
the door of greatness.
Eileen Howard throws down the gauntlet right from the
opening strains of “Stormy Day Blues”. Listeners are greeted by scorching be-bop and
blues style guitar work out of the gate, and Howard’s powerful and enigmatic
voice lies in over the top like first class diva should. She treats “Fever” with all of the sensuality
and desire the song deserves. Howard is
in perfect voice, and her backing band is first class with a bullet. Howard rocks out on the Willie Dixon classic “Built
for Comfort”, which serves the alternate purpose of celebrating the devilishly
amazing guitar work of David Bennett.
Howard turns wistful on “It’s Easy to Remember”, the Rodgers & Hart
standard. Howard mines the song for emotion,
using the depth of her voice and varying vocal tones to bring out the subtle
nuances of the song. Nat “King” Cole’s “Frim
Fram Sauce” gets taken for a walk next, and Howard digs in for all of the humor
of Redd Evans’ lyrics as well as the melodic genius that was all Cole. Randy Mather adds a classic sax solo to the
mix.
“Everybody’s Cryin’ Mercy” (Mose Allison) finds Howard
taking something of a breather. She
gives full effort to the song, and handles it capably, but this is a breather
both for artist and the crowd. Howard is
back at her vocal and comic best with Bessie Smith’s “I Need A Little Sugar in
My Bowl”. Howard’s vocals are stellar,
and she vamps the crowd like a Vegas pro.
David Bennett once again offers up some tremendous guitar work, but the
instrumental standout this time is the keyboard work of Ed Moed. Howard puts her diva on for “Black Coffee”,
squeezing every drip of melancholy out of the song while the band matches her
step-for-step. Howard takes on the feminist
blues anthem “Wild Women Don’t Have The Blues”.
Howard’s vocals are top of the charts. Unfortunately this song has been
so overdone in recent years that even the most stellar performance has an air
of cliché.
“He Really Makes It Hard For Me To Sing The Blues” findings
Howard taking a delicious R&B backbeat and a rocking attitude and blowing
it right out the top. The band gets to
stretch a bit here, with Ed Moed breaking out the mellotron and Bennett rocking
the guitar. The rhythm section of Chris
Ciampa (bass) and Gregg “The Governor” Peirson (drums) drive this baby,
however, laying down rhythms that are savage yet refined. Howard takes “Body And Soul” on her knee and
makes it her own, inhabiting the song the way a great actor inhabits a
role. We get to hear a bit of Howard’s
softer side here, and she navigates the quieter moments as adeptly as she wails
on wilder songs. “Lost Mind” plays on
Howard’s dual advantage of great vocals and comic pastiche, and she vamps it
all up with a wink and a smile. Howard
says goodnight with “One for My Baby (And One More for The Road)”, once again
showing her softer side with a lyric vocal that’s absolutely sublime. Even in the moment’s where Howard’s rougher
edge shows through, her unique sound and style make for a classic performance.
Eileen Howard sings like a Diva, vamps like a Rat-Pack
veteran and generally entertains like few others can on Blues in the Green Room. Making her case to be considered one of
the great torch singers of her generation, Howard is in a league of her own
here. Her interpretations of the
American Songbook are nonpareil. The audience
on the live recording is obviously receptive, and Howard’s backing band could
walk onto any stage, anywhere and be allowed to play whatever they want. They’re that good. But Howard is one of a kind.
Rating: 4 Stars
(Out of 5)
Learn more at www.singouteileen.com.
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