Paul
McCartney – New
2013, MPL Music
2013, MPL Music
Paul McCartney. You know… the former Beatle. He’s at it again. His latest album is New, and it’s the most vibrant work out of McCartney since Flowers in the Dirt. The energy and newness this time around come
from McCartney working with a host of producers. The result is a different feel
and mojo for each song.
New launches with "Save Us", an urgent rocker with Wings
era flair. The chorus is pure melodic magic, and in the days of AOR radio
would have been a major hit. "Alligator" is a quirky little pop song
typical of McCartney. "On My Way To Work" is a brilliant
observational love song with a twist. . Written with a swaying feel, McCartney’s
subject is obsessed from a distance. "Queenie Eye" is a silly
bit of fun typical of McCartney.
"Early Days" is a gorgeous
reminiscence of the early days with The Beatles. Gone is any sense of fame or
stardom, and in its place is the sense of inspiration that got it all started
in the first place. "New" sounds like a classic Beatles tune, full of
melodic gold and interesting little musical turns. McCartney goes for a
decidedly more modern sound on "Appreciate", using a looped electronic
arrangement as the bed for as bland and repetitive pop tune that McCartney has
ever released.
"Everybody Out There"
hearkens back to McCartney' work with Wings, but with a more urgent feel. It's
edgy and dark, but with that singular pop sensibility that stands apart from
the crowd. "Hosanna" is an unwieldy yet appealing love ballad that's
more speculative than anything else. It's an enjoyable look at McCartney
writing in dark timbres. "I Can Bet" is a wonderfully edgy piece of
song craft from a man perhaps cajoling a wary love along into something deeper.
Te arrangement is at times diffuse and without direction, but the overall
effect is stunning.
"Looking At Her" explores
insecurity in the light of beauty in a fashion that most everyone has experienced
a least once in their life. The universality of the song is appealing, and the
edgy pop sensibility is icing on the cake. "Road" is a story song
that is less accessible than the rest of the album, but no less intriguing for
that. There's a mix of hope and hopelessness hear that seems disconnected but
is so closely sound they are inseparable. McCartney bows with
"Scared", a lovely baroque pop ballad full of overcast light. Love
and its complications are on display here in minor keys and beautiful reflections.
It's amazing that after all these
years that McCartney can still reach into the depths of genius and pull out a
surprise. New shows McCartney’s
edge and experience, but behind it all is that same simple genius that has
driven his success with The Beatles, Wings, and on his own. The voice perhaps isn’t as strong as it once
was, and not everything here works on all levels, but McCartney still retains
the alchemy to spin gold out of eight simple notes.
Rating: 4.5 Stars (Out of 5)
Learn
more at www.paulmccartney.com.
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