Review: Kris Heaton Blues Band - R-Me Strong

Kris Heaton Blues Band - R-Me Strong
2009, Kris Heaton Blues Band

Connecticut's Kris Heaton has been in and out of the music scene for a number of years, taking a break to raise his family but coming home to the stage in 2002. Since then he's been a wild ride in Southern New England, playing to packed houses and opening for acts such as Stevie Ray Vaughan, Greg Allman, Huey Lewis and the News and Leon Russell. Heaton recently released his third album with the Kris Heaton Blue Band, R-Me Strong. Full of aggressive play, humor and pointed commentary, R-Me Strong is a fun listen full of Rock N Roll attitude.

R-Me Strong opens with Sugar, a testosterone-laden ode to a woman set to a Rhythm-n-Blues arrangement that is guaranteed to get your feet moving. Heaton has a voice that's perfect for the style of Blues/Rock he purveys, and the guitar work is hot. I'm Your Man is entertaining and fairly typical of the genre (the verses sound nearly identical to George Thorogood's Bad To The Bone). R-Me Strong is a tribute to all of those who serve in the US Armed Forces. R-Me Strong uses the call-and-response cadence common in old Blues tunes and military outfits in an arrangement that smacks of AC/DC. Shut Up is the most humorous song on the album, taking off after gossips with brutal alacrity.

And She Said is a joyous bit of innuendo where the guitar and harmonica get most of the good parts and generally rip up the dance floor. This tune is highly catchy; full of innuendo and intention. On Weatherman, Heaton takes on that guy who's so full of his ability to attract women he begins to think of himself as god-like. Heaton cuts him down to size to guitar work vaguely reminiscent of ZZ Top. Kris Heaton Blues Band almost seems to get a bit complacent thereafter, as the energy level generally falls for a while. Loser tries to recover the ship with a high energy level tightly twined into a mellow, melancholy performance. Heaton treats listeners to a wonderful live version of Long Time Ago. The sound quality of the recording itself is fine, although the song isn't mastered at anywhere near the same level as the rest of the album. Heaton closes out with When Men Cry, a song that underscores what's in your heart over what you do, what you make, etc. It's a pleasant ballad; a definite change of pace for Heaton.

R-Me Strong is a great way to get to know the Kris Heaton Blues Band if you don't know them already. Not every song works as well as the rest, but Heaton has high expectation and his band delivers. R-Me Strong deserves some attention.

Rating: 3 Stars (Out of 5)

You can learn more about the Kris Heaton Blues Band at http://www.krisheatonbluesband.com/ or www.myspace.com/krisheatonbluesband. You can purchase R-Me Strong as either a CD or Download from CDBaby.com.

Review: Jackdawg - Jackdawg

Jackdawg - Jackdawg
2009, Sonic Past Music

The long awaited and much discussed CD Jackdawg is due for release on March 17, 2009. This near-legendary album was recorded in 1990 and features John McFee and Keith Knudsen of the Doobie Brothers along with Creedence Clearwater Revival's Stu Cook. The band was an outgrowth of Southern Pacific and was recorded at McFee's Lizard Rock Studio in Solvage, Ca. The Jackdawg recordings stayed hidden in a vault until after Knudsen's death in 2005. The eponymous album includes thirteen original tracks plus covers of Roky Erickson's Cold Night For Alligators and Van Morrison's Wild Night.

Jackdawg opens with Bayou Rebel, an ode of sorts to Creedence Clearwater Revival. Bayou Rebel sounds like something that might have come out of CCR in their heyday but updated for the early 1990's when it was originally recorded. When The Sun Don't Shine is a tasty bit of modern rock with southern rock ancestors. The guitar work here is excellent, and the melody is quite memorable. The Men Who Would Be King was inspired by The Beatles, hinted at the by the harmonies at the end of each refrain and the occasional musical reference.

Hunger is a big stadium rocker that sounds like top-40 gold circa 1985. Ghost Dance has no pretensions about it, sounding more like something you'd expect to hear out of Lou Gramm than a conjunction of ex-Doobie and CCR guys. It's quite good, just a bit of a sonic surprise you might not have expected. Jackdawg returns to familiar territory with the old school R&B rocker Take It Off. Kisses In The Rain is another one of those songs that would have been a huge hit in a different era. This one sounds like a cross between Don Henley, The Beach Boys and Huey Lewis' backup band, The News.

Other highlights here include I Couldn't Help Myself, the big guitar rocker Quicksand, the Hagar-era Van Halen sounding Lookin' For Trouble, Young Ones, and The Girl From Oz. The Girl From Oz was inspired by the lead singer from The Divinyls, and sounds like someone took a variance on the bass line from Styx' Too Much Time On My Hands; added some Alex Liefson (Rush) style guitar work and a big 1980's rock chorus to create the perfect pop/rock song. The covers of Cold Night For Alligators and Wild Night are quite well done. They fit with the character of the rest of the album, but don't quite blend in the way the rest of the tracks do.
Jackdawg is a brilliant album. It's too bad this has been hidden away for almost two decades. If released back in 1990 it might have been a major hit for Cook, McFee and Knudsen. Today it will be appreciated by those in the know, but probably doesn't have the commercial reach it might once have had. Expect to hear a handful of tracks from this one show up on soundtracks, commercials or wherever else the marketing folks can find a spot. The music is excellent, and worthy of the resumes Jackdawg brought into the project.

Rating: 4.5 Stars (Out of 5)

You can learn more about Jackdawg at http://www.jackdawg.net/. You can order a copy of Jackdawg at Amazon.com.